Produced for the "ultimate edition" of "Rollerball" from Capelight Pictures in Germany, 2020. The Blu-Ray of the original 1975 classic comes packed with this fascinating 85-minute documentary that charts the influence of "Rollerball" on contemporary scifi cinema, including "Mad Max", "The Warriors" and "Escape from New York", as well as the Italian variant that struck the big time with motion picture successes such as "The Bronx Warriors" franchise, "The New Barbarians" and the wonderfully trashy "Endgame".

A look back at the largely undocumented period of early Chinese-language horror cinema, beginning in Hong Kong and the Shaw Brothers and graduating to Taiwan and the production of Calamity of Snakes in 1983.

A feature-length documentary exploring the history of the Spanish zombie film.

This is the first and only feature-length documentary on the life and cinema of the late Jorge Grau, who is most famous for his classic social-political horror masterpiece "Living Dead at Manchester Morgue" (1974), seen by some critics as a fierce critique of the Franco government albeit set in a displaced foreign locale.

Documentary about the later works of director Lucio Fulci with special focus on "A Cat in the Brain".

Follow-up to "Eaten Alive: The Rise and Fall of the Italian Cannibal Film", this documentary was produced for the 88 Films UK Blu-Ray release of "Amazonia: The Catherine Miles Story" and looks at the dying days of the controversial Italian cycle of jungle-based horror-adventures.

A look back at the storied career of the late, great exploitation director Umberto Lenzi - as told through the director, in one of his last substantial sit-down interviews, colleagues and critics.

Documentary that breaks down the rise of Hong Kong Splatter Cinema.

Documentary on actress Me Me Lai, who's best known for playing native girls in several controversial Italian cannibal jungle adventure movies.

An insightful look at the history of Hong Kong's exploitation cinema, from the early days of the Shaw Brothers and such shockers as "Killer Snakes" through to the advent of the Category III rating in 1988 and then the June 4th massacre in Beijing. The latter led to a panic in Hong Kong, before the Handover of the former UK colony to Mainland China, and a number of motion pictures proceeded to take freedom of speech (and sometimes political symbolism) to the extreme. This is the story of one of the most curious and invigorating periods in exploitation filmmaking.