Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

Mika Kaurismaki's documentary Moro No Brasil features performances by a variety of Brazilian musical artists, intertwined with interviews of every day Brazilians in order to give the viewer a portrait of Brazilian culture. The film includes performances by Silberio Pessoa, Darue Malungo, and Antonio Nobrega. ~ Perry Seibert, Rovi

Documentary about popular art manifestations in Northeast Brazil: the "cordel" literature (popular literature, small stories sold in markets); "repente", kind of musical challenge between two singers, who have to improvise the verses, in strict rhyme; and the interaction between these and local popular song.

The six-minute film is shot in just two locations: an old movie theater in the city of Miguel Pereira (RJ) and a multiplex in the New York City Center, in the Rio de Janeiro neighborhood of Barra da Tijuca. In front of the old movie theater, the embolistas Castanha and Caju (actually Cajuzinho, the replacement for the original Caju, who died in June 2001) unravel an extremely biting and funny "embolada", which spares no Hollywood idols: from Stallone to Leonardo DiCaprio.

This short film was part of the feature film "Chacun Son Cinéma (Each One With His Own Cinema)", in which 36 directors celebrate the 60th anniversary of the Cannes Film Festival.