A gripping and intense thriller about honour, loyalty, and the courage to fight for what you believe.

Dark fairytale about a demonic doctor who abducts a beautiful opera singer with designs on transforming her into a mechanical nightingale.

Based on Nobel Prize winning author Olga Tokarczuk’s novel of the same name, Drive Your Plow over the Bones of the Dead is a new work for theatre conceived and directed by Simon McBurney. Tokarczuk’s controversial, violent, genre defying novel – part thriller, part comedy, and part blistering poetic manifesto for the rights of animals and the environment – caused an uproar in its native Poland upon publication.

When Maja's boyfriend travels to India for a couple of months, she is left with no place to stay. She begins lodging with Mattias, a young unemployed man with a group of slacker friends and a 'seize the day' attitude to life. At first terrified by their irresponsibility, she soon finds herself drawn into their orbit.

Jakob arrives at the Institute Benjamenta (run by brother and sister Johannes and Lisa Benjamenta) to learn to become a servant. With seven other men, he studies under Lisa: absurd lessons of movement, drawing circles, and servility. He asks for a better room. No other students arrive and none leave for employment. Johannes is unhappy, imperious, and detached from the school's operation. Lisa is beautiful, at first tightly controlled, then on the verge of breakdown. There's a whiff of incest. Jakob is drawn to Lisa, and perhaps she to him. As winter sets in, she becomes catatonic. Things get worse; Johannes notes that all this has happened since Jakob came. Is there any cause and effect?

The middle of the 1970s. A photographer encounters an emaciated and brooding man with a hawk-like face. The man is called Viktor Atemian and this film is his story. He's a man who tries his hand at writing, meets with success, then falls upon hard times and ends up in the street.

Since he won the lottery, Pancho, a Jack Russell Terrier dog, lives a life full of luxury. His personal assistant manages his fortune. After trying to strike a deal with Pancho to make him become a star of the toy industry, Investor Montalbán will try to kidnap Pancho by any means. Pancho will discover real life dangers, and understand real wealth is in friendship.

In a sanatorium for people in their 60's Walter meets Virginia and falls in love. His boyish invites only upset her. In another attempt to capture her interest he directs "Romeo and Juliet" starring the residents of the sanatorium.

In a realm beyond the senses, plants interact with surreal cinematography to chart the course of our character: an entity said to embody the life and work of Felisberto Hernández, Uruguayan father of magical realism. Through this journey, we are confronted with an open-ended experience questioning the nature of musicality versus cinematography, entity versus aberration, and self versus space, in a self-referential, blurry, digital and mystical setting.