Celestine, the chamber-maid, has a new job in the country, at the Lanlaires. She has decided to use her beauty to seduce a wealthy man, but Mr. Lanlaire is not a right choice: the house is firmly controlled by Madame Lanlaire, helped by the strange valet Joseph. Then she tries the neighbour, former officer Mauger. This seems to work. But soon the son of the Lanlaires comes back. He is young, attractive and does not share his mother's antirepublican opinions. So Celestine's beauty attracts Captain Mauger, young Georges Lanlaire, and Joseph. Three men, from three different social classes, with three different conceptions of life. Will Celestine be able to convince Georges of her sincerity?

A down-and-out student is hired to kill a wealthy woman. When someone else is suspected of the crime, the student taunts police until they realize that they may have to wrong man.

An American draft dodger and aspiring writer named Nero Finnigan becomes involved with the notorious Mr. Go, an organized crime mastermind. They conspire to blackmail an American weapons scientist into providing secrets to Mr. Go's organization for resale to the highest bidder. "The Dolphin" then arrives, who is an American CIA agent and James Joyce scholar, and is charged with recovering the scientist and his work by whatever means necessary.

An American draft dodger and aspiring writer named Nero Finnigan becomes involved with the notorious Mr. Go, an organized crime mastermind. They conspire to blackmail an American weapons scientist into providing secrets to Mr. Go's organization for resale to the highest bidder. "The Dolphin" then arrives, who is an American CIA agent and James Joyce scholar, and is charged with recovering the scientist and his work by whatever means necessary.

The film begins with a sun materializing out of the emptiness of space. In the first of three sequences we see various images from nature against music: the sky, trees, leaves, a bird, water, sand, a beach. A little boy wanders along the beach observing the natural world around him. He walks and presently comes to a house and peers inside. The second sequence has no music. The narrator speaks of sculptor Alexander Calder and his work, as we see Calder in his workshop, cutting and creating unusual shapes, and seeing the resultant artworks. The last sequence has music as we view images of Calder's work. However, now they are intercut with images from nature so that we understand that Calder's inspiration is the natural world around him. The film ends as it began, with an image of the sun, now fading into the sky.

In a follow up to 'A Welcome to Britain', Burgess Meredith returns to look at a post-war Britain.

Oliver Pease gets a dose of courage from his wife Martha and tricks the editor of the paper (where he writes lost pet notices) into assigning him the day's roving question. Martha suggests, "Has a little child ever changed your life?" Oliver gets answers from two slow-talking musicians, an actress whose roles usually feature a sarong, and an itinerant cardsharp. In each case the "little child" is hardly innocent: in the first, a local auto mechanic's "baby" turns out to be fully developed as a woman and a musician; in the second, a spoiled child star learns kindness; in the third, the family of a lost brat doesn't want him returned. And Oliver, what becomes of him?

Directed by Garson Kanin and Jean Renoir.

An uncredited Anthony Asquith is one of the directors of this WWII film (a joint UK/US production) which aims to explain British culture and character to the newly arrived American soldier. Starting with the ubiquitous pub visit, the film breezes through geography lessons, food and entertainment on the Home Front.

Happenings in a small Irish traveling circus.