Shot after hours at Newport Folk in 1966 by American ethnomusicologist Alan Lomax, this recording features 14 performances by such blues greats as Son House, Skip James and Howlin’ Wolf among others.

In the segregated Memphis of the 1960s, blues masters and beatniks created a music festival that rocked the foundations of a conservative world.

Taken from the European tours organised for American blues musicians between 1962 and 1969, this release features performances by several popular blues artists, including: Big Mama Thornton, Roosevelt Sykes, Buddy Guy, Dr. Isaiah Ross, Big Joe Turner, Skip James, Bukka White, Son House, Hound Dog Taylor and Little Walter, Koko Taylor and Little Walter, Sonny Terry and Brownie McGhee, Helen Humes, Earl Hooker, and Muddy Waters.

It’s the Summer of 1969. The temperature hovers around 105 degrees on a humid weekend in Memphis, Tennessee. It’s only been a year since the assassination of Dr. Martin Luther King Jr. But on this particular weekend, everyone in town, all races, creeds and colors have come out for the Fourth Annual Memphis Country Blues Festival. The lineup is the most ambitious in years, welcoming blues masters like Bukka White, Sleepy John Estes, Furry Lewis and the 106 year-old Nathan Beauregard, coupled with more notable headliners like Rufus Thomas & The Bar-Kays, John Fahey and rocker Johnny Winter. One attendee that year was Gene Rosenthal, who brought along a couple of cameras, a small crew and left with 40,000 feet of color film that was left untouched for nearly 50 years….until now. ‘Memphis 69’ is a time capsule. If you’re a blues enthusiast, watching this film feels like you’ve opened up a treasure chest and discovered that you’ve hit the motherload.

Blurring the line between documentary and fiction, THE BLUES UNDER THE SKIN dramatizes the tumultuous relationship of a young couple (Onike Lee and Roland Sanchez) as they struggle to overcome the barriers of poverty and prejudice that keep them from finding happiness together.