In 2006, when the Brazilian economy was taking off due to the discovery of oil in the pre-salt layer, Eike Batista decided to create the oil company OGX and hired the best men from Petrobras to participate in the pre-salt auction. But megalomaniacal plans and a series of misguided decisions and alliances cause their empire to crumble as spectacularly as it had grown. And Brazil watches, perplexed, the fall of Eike, who loses all his fortune, power and prestige. Inspired by the book by journalist Malu Gaspar.

An ambitious law student who hates music needs to make a perfect plan to get hired at the office she interns at – until she meets a charming singer who shakes her life. While she's living her first love, she needs to face her own past and decide what's more important: do what she loves or learn to love what she does.

Lúcia is a renowned police investigator. At age 50, has dedicated her entire life to her profession and is a respected name among her peers. Everything changes during an investigation, a writer that was writing the memoir of one of the drug trafficking lord, and had his phone tapped illegally by Lúcia, is assassinated and she is under investigation by her superiors. At the same time, she finds out she has Alzheimer.

"Vista Minha Pele" is an amusing parody of Brazilian reality. It serves as basic material for discussing racism and prejudice in the classroom. In this inverted story, blacks are the ruling class and whites were enslaved. Poor countries are Germany and England, while rich countries are, for example, South Africa and Mozambique. Maria is a poor white girl who studies at a private school thanks to the scholarship that she has due to the fact that her mother is a cleaning lady at this school. Most of her colleagues are hostile to her, because of her color and social status, with the exception of her friend Luana, the daughter of a diplomat who, having lived in poor countries, has a more comprehensive view of reality.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

A Polish Jew becomes a prostitute after failing to get a marriage in Brazil. Meanwhile, the public health doctor Oswaldo Cruz ends up involved in the Vaccine Revolt.

When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo - Carandiru, he meets the future victims of one of the darkest days in Brazilian History when the State of São Paulo’s Military Police, with the excuse for law enforcement, shot to death 111 people. Based on real facts and on the book written by Dráuzio Varella.

Tati, an introspective 13 year old girl struggles to connect with her estranged father, Jaca, after he is released from prison in the turbulent wake of the Rio Olympics. As Brazilian Pacification Police battle to maintain a tenuous occupation of the surrounding Rio favelas, Tati and Jaca must navigate the clashing forces threatening to derail their hope for the future.

Jorge is a private investigator that has a questionable character. He seeks information about the death of a young boy in a small city in the countryside of Brazil, that is full of unfriendly strangers. Nightmares with a woman that he has never seen before, Mariá, torments him. Their meeting, in a haunted woods, will reveal that it is not by chance that Jorge is part of this mysterious investigation.

The special features 22 real testimonials from people like Mandela, Martin Luther King and Marielle Franco, who fought racism and freedom in favor of justice.