Directing
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They live, they act, they love. Today they remember, they relive, they live through cinema and life.
“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head. Adapted from the Brazilian classic novel 'Dom Casmurro' (1899) by Machado de Assis as an ironic/philosophical essay on poetry and jealousy, and featuring fragments of Bressane’s previous works.
Inspired by Jorge Luis Borges’ The Disinterested Killer Bill Harrigan, Garoto follows a young couple who find themselves in an enchanted place where they experience an amorous and spiritual adventure.
Between February an May of 1970, Julio Bresane and Rogerio Sganzerla made 7 films for their company Belair that were forbidden by the Brazilian censorship that reveal today images of an unique freedom.
A curious couple, whose existence takes place where art arises along a singular metaphysical desire. They search for it through repeated and varied representations, in a setting of light where hope and desperation blend together.
Meu Nome é Dindi shows the movement of time over a young woman who owns a small marketplace near bankruptcy and fights for survival.
Rio de Janeiro, 2012. 30 year-old Karine, 8 months pregnant, loses her husband in a senseless murder. She and her brother almost die, but are saved by Pastor Naldo, an evangelical pastor from the Church of Eden. Karine carries within her the conflict of salvation via the church or via the birth of her child.
A young couple, Pedro and Antônia, have their relationship weakening after meeting Luana. Romance, seduction, fear and anguish from the future are established in this story of liquid love.