During the Middle Ages, a traveling executioner hires an apprentice to learn the finer points of torture and execution, and a young girl is given by her parents to a Catholic convent.

Walter Ferrari is an Italian soccer coach fired on the eve of the playoffs by club President Di Carlo.

Life in Naples is tough, so Neapolitans invent ways to get by. Whatever works, conning mostly, tricking the IRS, the university, the landlord, cruise ship passengers, even conning victims three times with the same ruse.

Guglielmo Speranza is a young man who, having just graduated from university, decides to ask his beloved to marry him, convinced that the most challenging period of his life is now behind him. This is how we meet the protagonist, who repeatedly addresses the audience directly to explain what is happening on stage. He always wears the same suit and, during the play, changes three beards, black, gray, and white (one for each act), symbolizing the transition from youth to old age.

Luca Cupiello, like every Christmas, prepares the crib, amid the disinterest of his wife Concetta and his son Tommasino. Ninuccia, the other daughter, writes a letter to her husband in which she communicates that she leaves him for her lover. The letter happens in the hands of Luca who hands it over to his son-in-law, who thus learns of his wife's betrayal. During lunch on Christmas Eve, the two rivals, who were confronted by Luca's carelessness, clash violently.

A reconstruction of Napoleon Bonaparte's years after Waterloo, from his exile to St. Helena until his death under mysterious circumstances: between hopes of escape and illness, the former emperor dictates his memoirs. Directed by Vittorio Cottafavi, the film is based on a story by Roberto Mazzucco, with a screenplay by Cottafavi and Giovanni Bormioli.