Family man Max Bornstein was a full-time dope fiend working within the underground, highly illegal pornography industry in 1968’s New York City. While running books and films to delivery points and mob headquarters around the east coast, Max had the Feds on his tail. But even in the wake of a federal investigation, his truest worry was his wife and two young children, a family kept in the dark about his dealings and the walls of it caving in around him. As he battles his consuming addiction, dissolving family unit and the growing suspicion about his drug use amongst his associates, Max watches helplessly as his well-crafted reality falls to pieces, leaving him searching for the spaces in between.

THE TOUCHSTONE is a teen comedy about a student on a high school field trip who uncovers a relic that makes whoever has it irresistible to virgins, and the disastrous consequences that occur when he and his friends try to use it to get the girls of their dreams.

Tension runs high for writer/director Matthew Steele as he awakens in shock to find himself surrounded by six dead women with a 9mm in-hand. In a desperate search for answers, he is confronted by a mysterious caller who taunts him unrelentingly and strives to push him to the brink of insanity. As this spiraling mind-twist of mystery and suspense unfolds, Matthew also finds himself caught between a perpetuating nightmare that seemingly will not end and a suicidal reality that oddly mirrors his dark, demented screenplay called, "The Enemy". —Alexander Kane