Paul (William Donald Powell), a former American GI gets by as lead singer of a band in the wake of the 1968 cultural revolution in Munich. Paul’s monotonous life plays out between the hotel bar, his adjacent studio apartment, and the rare night out on the town or a visit to the suburbs. Director King Ampaw's thesis film at the University of Television and Film Munich is the second film by an African filmmaker to be shot in Germany (the first being Ibrahim Shaddad’s “Jagdpartie” in 1964).

Mirza-Bagher meets Agha-Balakhan and Manizheh on a train heading to Germany. Agha-Balakhan is going for an administrative task, while Manizheh is going to study hotel management in Munich. Manizheh meets Arsalan at a hotel. Arsalan and his guys are planning to deceive Manizheh. On the other hand, Mirza-Bagher becomes acquainted with a girl named Maria, whose brother, Franz, is in cahoots with Arsalan's group...

In this one we look at the cases of a number of young women and their plumbing problems as seen through the eyes of the narrator, a moralizing but well meaning gynaecologist.

David Glover is a young, American man who is working as a courier at his uncle's company, "Berling Express". David is attracted to a female co-worker by the name of Jenny, who also happens to have feelings for him. During one of his courier jobs, the attractive Lara, who claims to be a policewoman, jumps into his car and David finds himself in an exchange of fire. David is willing to help Lara, but soon finds himself framed as the professional assassin LORCA. Now David must run from the police and catch the real LORCA, who is hell-bent on murdering the last surviving witness to a brutal murder.

Erotic entanglements among farmers, citizens and local politicians in a Bavarian village at the turn of the century.