
Acting
Brigitte Florence Fossey (born 15 June 1946) is a French actress. The daughter of a schoolteacher, Fossey was five years old when she was cast by director René Clément to star in his film, Forbidden Games. Fossey played the role of an innocent child orphaned by World War II. The film won numerous awards worldwide, including the Academy Award for Best Foreign Language Film, and Fossey was hired by American actor/director Gene Kelly for his 1957 film, The Happy Road. When Fossey was ten years old her parents took her out of the film business so she could receive proper schooling. While completing her education, Fossey studied piano and dance and then went on to work in Geneva, Switzerland as an interpreter/translator. In 1967, at age twenty, after studying acting at Yves Furet "Studio d'Entrainement de l'Acteur" in Paris, Fossey was offered the female lead by director Jean-Gabriel Albicocco for his film Le Grand Meaulnes. As an adult Fossey acted both on stage and in film, working with French directors such as François Truffaut and Bertrand Blier. Fluent in English, Fossey has appeared in several Hollywood motion pictures, including a 1979 role as the wife of Paul Newman in the Robert Altman-directed film, Quintet. In 1982, she was a member of the jury at the 32nd Berlin International Film Festival. During the 1990s, she began performing in television productions. Brigitte Fossey has a daughter from her marriage to director Jean-François Adam, whom she met while making his 1970 film M comme Mathieu. Source: Article "Brigitte Fossey" from Wikipedia in English, licensed under CC-BY-SA.

A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.

A young French teenage girl after moving to a new city falls in love with a boy and is thinking of having sex with him because her girlfriends have already done it.

At Bertrand Morane's burial there are many of the women that the 40-year-old engineer loved. In flashback Bertrand's life and love affairs are told by himself while writing an autobiographical novel.

A look-back at popular French movie "La Boum" (The Party).

Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeoisie holds dear, whether it’s cars, peace of mind, or daughters. Marie-Ange, a jaded, passive hairdresser, joins them as lover, cook, and mother confessor. She’s on her own search for seemingly unattainable sexual pleasure.

A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.

A man is wrongfully imprisoned for five years. Once out, he hears about his wife's supposed adventures outside of their marriage and becomes increasingly jealous.

Friendships and business do not mix, that's what we find with Theresa, Catherine and Alain, three longtime friends. Freshly graduated, they decided to start their own business, but work is scarce and a fight breaks out between the trio. Separated, married and scattered all over France, the once inseparable trio no longer keep in touch. But four years later, they decided to organize a big party for their reunion which serves as an opportunity for them to put things right and confess everything they have in their hearts.

Five highly-trained KGB agents are sent to the west to assassinate several Soviet dissidents. In order to stop the diabolical plot, an American agent must infiltrate Soviet intelligence and obtain information from a Russian computer.

The film follows the exploits of Jacques, a car-mechanic turned pro-thief, and his Jewish co-conspirator Simon as their robberies, beginning well before the Second World War, take on a political coloration under the occupation.





