Mika, heiress to a Swiss chocolate company, is married to celebrated pianist André and stepmother to his son, Guillaume, whose mother died in a car wreck on his tenth birthday. Their lives are interrupted by the unexpected arrival of Jeanne, a young woman who has learned she was almost switched with Guillaume at birth.

Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness -- and similarities to their mother -- gradually gets on Martine's nerves.

Michèle is the new French consul in a South American country. She quickly discovers that the government is, in fact, a dictatorship. Moreover, her seventeen-year-old daughter is involved in the revolution against the regime.

Several times president of the Council, at the end of the 1930s Pierre Laval became one of Marshal Pétain's strongmen, a loyal collaborator for the Germans. Rounding-up Jews, forced labour, tracking the French resistance..., he served Hitler faithfully to the end. When France was liberated, he was tried, condemned, shot.

After his wife leaves him for another man, Jacques hires a housekeeper, Laura, to keep his Paris apartment in order. As he starts increasing her hours and spending more time with her on her days off, Jacques is torn between the pleasure of Laura's company, and the headache that such an intrusion brings to his new domain of singlehood.

A courageous judge tries to dismantle a drug traffickers ring.

A 14 year old boy, an ER doctor, a cop looking for revenge, a mother fighting for her children and a man distraught by the death of his wife see their destinies come together. As the doctor spends several days in a coma, events keep on happening and all will be swept by the shock wave.

The idea for this film about a generation and its lost ideals came to Romain Goupil after attending several funerals of friends in the fall of 1996, where the '68 generation, now in influential positions in media or politics, kept meeting each other. It seemed as if the revolution that they had tried to make was being buried with each coffin. A MORT LA MORT is in some ways an homage to this generation, now in their fifties. They were a privileged generation that thought that they could change the world, doing everything that their parents failed to do. There were no actual deaths in France as there were in Germany or Italy, but the system was not ideal for personal issues or for love. There was always a scapegoat for the injustices of the world, be it capitalism or imperialism. That way the blame could be placed somewhere else. Some of the '68 generation are still faithful to the principles of their youth and still continue to fight for the illusions of the past.

The story of Artemisia Gentileschi (1593-1653), one of the first well-known female painters, including her youth, when she was guided and protected by her father, the painter Orazio Gentileschi.

Beautiful violin virtuoso Camille has two obsessions: the music of Ravel, and a friend of her husband's who crafts violins. But his heart seems to be as cold as her playing is passionate.