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A meditation on death, a collective acceptance of mortality and a warm embrace for the present.
An immersive, behind-the-scenes look at one of the world’s leading ballet companies as it mounts a new production of Swan Lake. Ballet icon Karen Kain, on the eve of her retirement, directs the National Ballet of Canada. The film weaves together intimate scenes of the creative process and the dancers’ personal lives. Executive Produced by Neve Campbell.
Ikebana, the Japanese art of flower arrangement, is explored in a delicate and ethereal manner, layering space, time, and the elements of life. This ancestral art is observed from a distance, so as to never interrupt the movements of its practitioners. Rita Ferrando’s Ikebana is a hypnotic work with somewhat esoteric narration that highlights each step in the process with animations emphasizing the meticulous and meditative deeper meaning behind the art. This hybrid structure raises questions about the art of representation, inevitably present in cinema. How can we grasp the essence of what we want to show on film? Ikebana suggests that what we seek may be hidden well beyond the visible realm.
An unexpected event threatens to undo the job interview preparation of an anxious young man.
A desperate man seeks refuge from the predators hunting him by befriending a cheerful intruder.
As played superbly by Lío Mehiel in Bec Pecaut’s deeply affecting drama, Mad wrestles with turbulent emotions while recovering from top surgery at home with their partner and mother.
A delivery driver in New York City discovers his e-bike has been stolen. With his family en route after many years apart, Lu must contend with a community that has turned its back on him while he tries to replace the only thing promising to keep his family afloat.
Kunsang Kyirong sets her tale of theft, betrayal, and something like magical redemption in a Parkdale housing complex.
In this remarkable observation of faith and ritual, families in a borough of Mexico City are overcome with emotion upon being chosen to care for Baby Jesus figurines—some of them dating to the 16th century—for a year.