Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.

Alek (Gordan Kicic) is desperate because Teodora (Milica Mihajlovic) has left him after a three years being together. He is suffering, he is apathetic and is mentioning suicide constantly, he simply doesn't want to accept that the relationship is over. He has self-pitying sessions with his friend Bane (Milos Samolov) everyday. Despite Bane's advice, Alek keeps calling Teodora who has fallen in love with Nemanja (Branislav Trifunovic) in the meantime. However decisive and tough Teodora is when she is with Alek, she is as indulgent and helpless when she is spending time with Nemanja. The problem is that Nemanja is not in love with her but with Marina (Vanja Ejdus), a girl by a few years younger. Unfortunately, Marina is not in love with him, she is very attracted to Alek's "Slavic depression". She doesn't know that reason for his "charm of a desperate" is his failure with Teodora, she thinks Alek was born like that.

Robert, a jaded middle-aged New Yorker, travels to Belgrade to make some quick cash by marrying someone for U.S. immigration papers. The plan goes awry when the money never arrives, leaving Robert stuck in Serbia. Meanwhile in New York, Banko, the young Serb whose girlfriend Robert is to marry, fights to come up with the cash.

A collection of seven stories "from the block," linked by the theme of the seven deadly sins, humorously portrays the everyday life of New Belgrade's inhabitants, who are consumed by their minor foibles and guided by their passions. While pride, sloth, envy, wrath, greed, lust, and gluttony are biblical sins, they seem almost ridiculous in contemporary times when set against the backdrop of civilization's far more severe challenges.

The story takes place in modern-day eastern Serbia, still fertile ground for various forms of superstition and prejudice. Zorica is a village girl who carries a curse. Ever since her first boyriend mysteriously drowned in the river, men around her are dying in most bizarre ways. The plot thickens when stubborn policeman Maane who doesn't believe in 'village tales' tries to investigate whether Zorica is a serial killer or a girl looking for love.

Goose Feather (Serbian: Jesen Stiže, Dunjo Moja) was Serbia submission to the 77th Academy Awards for the Academy Award for Best Foreign Language Film, but was not accepted as a nominee. Vaguely based on a song By Djordje Balasevic called "Prica o Vasi Ladackom" (the story of Vasa Ladacki). The story is about a very poor boy that wanted abundance and wealth because he basically didn't own anything. He was in love with an equally poor girl that his father wouldn't accept. He moves to another village and starts drinking...

The main character is a young and very beautiful girl, Marijana. Marijana is 25 and when she was 16, her father's boss sexually abused her. Marijana's father did nothing against his boss, and because of that became very successful at his profession due to the boss' assistance. Marijana's father became a famous discreet gynaecologist for illegal abortions. Ten years after the incident, Marijana's family is very rich and popular in her town of Podgorica. Marijana did not forget what happened to her when she was younger. Marijana decides that it is time to avenge what was done to her. She does this by becoming a prostitute, and sleeping with her father's colleagues and there by harming his reputation. At one moment Marijana meets a poor but talented sculptor named Vanja whom she begins to love and care for. Marijana soon discovers that the world of prostitution and love of Vanja cannot coexist.

40 days after the suicide of Branko, a former boxer, a local dandy from the blocks, loved by his surroundings, his son Luka becomes suspicious that someone actually killed his father. Following his intuition, Luka starts an investigation.

In the lush and weedy Serbian countryside, a first time human trafficker becomes stranded with the Roma boy he is to deliver.

After years spent in Belgrade, Janko returns to his half-deserted village, the home of his widowed mother Milica. The latter sincerely hopes that Janko has come back for good; her son, however, has other plans.