Growing up as a Deaf individual in Indonesia, Mufi was taught to speak instead of sign. As an adult, now she carves her music career to inspire others to express themselves through sign language.

Growing up as a Deaf individual in Indonesia, Mufi was taught to speak instead of sign. As an adult, now she carves her music career to inspire others to express themselves through sign language.

Growing up as a Deaf individual in Indonesia, Mufi was taught to speak instead of sign. As an adult, now she carves her music career to inspire others to express themselves through sign language.

Teguh was dishonorably discharged as a policeman due to his sexual orientation. With the support of his partner Tonny, Teguh decided to purue justice by bringing his case to court, an act that has never been done before in Indonesia from the LGBTQI+ community. From this, the question arises, why would he put himself in potential danger by going against the institution? The film tells a love story between Teguh and Tonny, which becomes the foundation of why this fight needs to be fought for.

The film by visionary director Bagas Setyo Putra, Di Balik Malam, raises important issues in society. This is the credits sequence.

Wasima and Jessica, her granddaughter, had a fight. After Jessica slammed the door and walked out, she was cursed to become a stingray. Wasima and Jessica (already a stingray) were interviewed on TV and invited as guests. Two years later, a mysterious figure is waiting for Mrs. Wasima at her house.

Wulan, a woman who lost her brother, Stevanus, in the Klender Mall looting in May 1998. Although her memories of her brother only come from the stories of her mother, Maria Sanu, Wulan is inspired to write an essay titled "Dia Pergi dan Belum Kembali" and continue her mother's struggle to seek justice.