
Acting
Bradford Dillman was an American stage, screen, and television actor, as well as an author starred in the taut crime drama Compulsion (1959). The lanky, dark-haired Dillman also played Robert Redford's best friend J.J. in The Way We Were (1973). Dillman also appeared opposite Clint Eastwood in the Dirty Harry films The Enforcer (1976) and Sudden Impact (1983). In director Richard Fleischer's Compulsion, derived from the infamous Leopold & Loeb case of the 1920s, Dillman and Stockwell starred as the brazen killers Arthur A. Straus and Judd Steiner, respectively, who think they have committed the perfect murder. Dillman, Stockwell and Orson Welles (who played their attorney) shared best actor honors at the 1959 Cannes Film Festival. The Fox film was an adaptation of a Broadway hit, with Dillman taking on the role that Roddy McDowall had originated on the stage.

The world is shocked by the appearance of three talking chimpanzees, who arrived mysteriously in a spacecraft. Intrigued by their intelligence, humans use them for research - until the apes attempt to escape.

Opposites attract when, during their college days, Katie Morosky, a politically active Jew, meets Hubbell Gardiner, a feckless WASP. Years later, in the wake of World War II, they meet once again and, despite their obvious differences, attempt to make their love for each other work.

A college student faces embarrassment and expulsion for having cheated on an exam. Her fiance is a member of the university's undergraduate honor board and could quietly make the matter "disappear." The young woman reconsiders, deciding that covering up for her bad behavior would be wrong and build a bad foundation for their marriage.

Dirty Harry Callahan returns again, this time saddled with a rookie female partner. Together, they must stop a terrorist group consisting of angry Vietnam veterans.

When a young rape victim takes justice into her own hands and becomes a serial killer, it's up to Dirty Harry Callahan, on suspension from the SFPD, to bring her to justice.

When flesh-eating piranhas are accidentally released into a summer resort's rivers, the guests become their next meal.

A frustrated pianist himself, music journalist Myles Clarkson is thrilled to interview virtuoso Duncan Ely. Duncan, however, is terminally ill and not much interested in Myles until noticing that Myles' hands are ideally suited for piano. Suddenly, he can't get enough of his new friend, and Myles' wife, Paula, becomes suspicious of Duncan's intentions. Her suspicions grow when Duncan dies and Myles mysteriously becomes a virtuoso overnight.

This horrific dramatization of the Guyana tragedy traces the steps of Reverend Jim Jones, a highly charismatic, but profoundly paranoid clergyman, who after years of evangelism and good deeds, begins his own church in the mid-western United States. When Jim Jones becomes increasingly obsessed with the belief that the CIA is "a wicked enemy" who is out to get him, he emigrates with his congregation to Guyana, where he plans to create a utopia. But Jim Jones' utopia consists of a society where he demands his followers turn their minds, bodies and possessions over to him, one that is rife with orgies, physical violence, mental torture, and sexual abuse of children and adults. Ultimately, Jim Jones' paranoia reaches a fevered pitch that culminates in him taking savage action against his own congregation. (VCI Home Video)

Set in 1912, inside a dive bar named The Last Chance Saloon, its destitute patrons eagerly await the arrival of Hickey, who arrives annually and props everyone up with free drinks and spirited stories of his travels. However, when Hickey does show up this year, it is with a message of temperance and an exhortation to give up hopeless dreams and face reality.

Two close friends' plan to execute a flawless crime is crushed when one of them inadvertently leaves his glasses at the crime scene.


