Little Nikita, the son of polar scientist Sergei Ivanov, runs away from home with the intention of reaching the Arctic, where he believes his father works. The boy manages to reach Leningrad, where he ends up at the Arctic Institute. Sergei is tasked with returning the runaway home, but Nikita stubbornly hides his origins and the purpose of his escape. Soon, his grandmother arrives, and Ivanov learns that Nikita is his son. He writes a letter to his ex-wife and convinces her of the need to return to him. The couple reconciles, and, preparing for another expedition, Sergei promises his wife and young son that he will return to the mainland on time.

The residents of the village of Staroje Dudino, located four kilometers west of the Soviet border, are completely dependent on the wealthy Novik, whose interests are protected by the local police and clergy. Novik is actively stirring up ethnic strife between the Jewish poor and Polish workers. During the traditional "black crown" ceremony (a wedding ceremony for an old man and an old woman), a group of factory workers led by the communist Haidul, together with the Jewish poor, attack the police and free Boris Bernstein, who had been sentenced to death.

Semyon Primak, in the direction of the regional committee, arrives in one of the small towns of Donbas and immediately enters into battle with the chief of the mine, Chub, who, in a situation of continuous assault, plays into the hands of the Trotskyites and bandits operating in the mine. Having received moral support from the new secretary, the best 'udarnik', shockworker Matvey Bobylev implements a new method of coal mining and, contrary to the intentions of the enemy group, finds a wide response among the miners of Donbas.

The composition includes two short stories: "The Swineherd" (based on the fairy tale by H.C. Andersen) and "Heaven and Hell" (based on the short story by P. Merime).

A biography drama about Sergey Kirov, a prominent early Bolshevik leader in the Soviet Union.

Since director Sergei Yutkevich was a longtime lover of American slapstick, his first films were imbued with a playfulness and cheeriness not typical of Russian cinema. And Kruzheva is a good example of that as he illustrates the friendly rivalries between the youths on village in both a very rough and clowning way.

Sergei Yutkevich's directorial debut promoting availability of radio. Considered lost.

Soviet "proletarian" film about anti-war strike at St Petersburg factory, 1914. Resembles Pudovkin's classic "End of St. Petersburg," made 4 years earlier: backward lad (Poslavsky) from poor village comes to town desperate for work. He's hired as replacement ("scab") worker at big metallurgical factory, which is in the throes of a strike organized by the Bolsheviks (communists). The Bolshevik strikers are led by Ivan Shtraukh (brother of the more famous Russian actor Maxim Shtraukh). At first, the deceitful industrialist's son (Fedosev) involves the naive Poslavsky in an attempt to murder Shtraukh, but the attempt only wounds the heroic organizer. Will Poslavsky follow through with the planned killing, or will he redeem himself by going over to the side of the strikers?

The true story of one of Russia's most beloved national heroines. During the Nazi siege of Moscow, a fearless 18-year-old girl named Zoya risked her life as a partisan fighter. Captured by the Germans, Zoya endured unspeakable tortures at the hands of the Gestapo but still refused to betray her comrades. Even on the gallows, Zoya defiantly spoke out against the Nazis and everything they stood for. In a series of flashbacks, this film re-creates not merely Zoya's death, but also her life.

A story about a Secretary of the Communist Party District Committee who is leading partisans in their fight with the Nazis during WWII.