Sound
Boris Blank is a Swiss artist and musician known for his work in the musical duo Yello with Dieter Meier.
Yello is a Swiss electronic music band, which formed in Zürich in 1979.[1] For most of the band's history, Yello has been a duo consisting of Dieter Meier and Boris Blank; founding member Carlos Perón left in 1983. Their sound is often characterised by unusual music samples and a heavy reliance on rhythm, with Meier as vocalist and lyricist, and Blank providing the music. Point is their fourteenth studio album
Touch Yello evokes moods, pictures and movie scenes. For the creation of this virtual concert they’re working with Kevin Blanc, a Swiss moving image designer and art director. The premiere of Touch Yello will be accompanied by live performances by the famous German jazz musician Till Brönner and singer Heidi Happy.
She was a muse, model and performer – a star, dazzling and intense. Lady Shiva managed to rise from street prostitution to the top. She lived in the fast lane and died tragically young. Her dream was to become a singer. With her companions, we trace her life during a vibrant time that kindles a yearning and provokes until today. The story of a woman’s meteoric fate and a great dream. An irrepressible desire for freedom in all its beauty and destructive force - and a stirring friendship and love.
Contains rare footage from Yello's only ever live Performance...
Russian reissue of well known 1992 VHS compilation.
Historic 20-track live performance, recorded at Kraftwerk Berlin in October 2016 on their first-ever tour!
When YELLO was awarded the Kunstpreis der Stadt Zürich back in 1997, Claude Nobs, the legendary founder of the Montreux Jazz Festival, eulogised about the band, saying: "I worked as a cook and know about food. YELLO uses only fresh ingredients". In response, YELLO made a promise on stage that if they ever performed live in Switzerland, their first time would be at Nobs's festival in Montreux. Twenty years later, on July 12, 2017, YELLO kept their promise and performed at Montreux. Claude’s successor, Mathieu Jaton, announced the band simply thus: "Ils sont là. Ce soir. A Montreux. Pour vous!"
The Glamour Chase is Andrew Miller's feature length 2000 documentary on the life of maverick Scottish pop star Billy Mackenzie. With contributions from close family, friends and the 1980s pop firmament that admired him so deeply, the documentary remains definitive. Variously described as an "anarchic Bassey, sinister Pavarotti and Scotland's Sinatra", Billy Mackenzie led an extraordinary life. The story is told by Billy himself from extensive archive footage, together with his father Jim and sister Helen and informed contributions from his biographer Tom Doyle and pop star friends including fellow Associates Alan Rankine and Michael Dempsey; ABC's Martin Fry, Siouxsie Sioux, Marc Almond and members of Heaven 17, Yello and Apollo 440.
A student gets his senses enhanced by an experimental drug. But abuse is not an option.
To the Los Angeles elite, Ford Fairlane is known as "Mr. Rock 'n' Roll Detective." This loudmouthed ladies' man serves an exclusive rock star clientele, who depend on his keen eye and smug discretion. So when a heavy-metal musician dies mid-concert, Fairlane is on the case before the lights come up. But things turn shocking when radio personality Johnny Crunch hires Fairlane to find a missing groupie mere hours before he is electrocuted live on air.
Set up by their boss to be knocked off following a final heist, soon-to-retire crooks Brian Hope and Charlie McManus get wind of their impending demise and run off with the spoils of their crime. Fleeing their boss, the drug dealers they robbed, the police, and Brian's angry girlfriend, the duo take refuge in a training convent for nuns. In disguise, they convince Sister Superior that they're nuns, a charade they're forced to maintain as their enemies arrive.
A selection of seemingly unconnected scenes featuring Nick Cave, Blixa Bargeld, Nina Hagen and Lene Lovich. Losely based on Voltaire's satire "Candide".
Brantley Foster, a well-educated kid from Kansas, has always dreamed of making it big in New York, but once in New York, he learns that jobs - and girls - are hard to get. When Brantley visits his uncle, Howard Prescott, who runs a multi-million-dollar company, he is given a job in the company's mail room.
Josef "Schmutz" (german for "dirt"), a security guard obsessed with duty and cleanliness, is given the task of guarding a decommissioned industrial plant. While maintaining his devotion to the authority of property right, the self-proclaimed "Representative of Ownership" is himself slowly losing his sense of reality.