Separate We Come, Separate We Go is the story of a 10-year-old girl, Thea who escapes her bleak domestic life to find sanctuary in the surreal desert landscape of Dungeness. Roaming around the barren skeletons of boats and abandoned fishing huts, she is increasingly aware of her loneliness and vulnerability. Seemingly out of nowhere a man (David Thewlis) appears; she is so intrigued by him she defies all lessons taught about strangers and approaches him. As they walk and talk she discovers he is a widower and has lost his son; she realises she is not alone in experiencing loss. He notices her sadness and unusual maturity and decides to help lift her out of her melancholy. Through the metaphor of the freedom of flying birds, he shows her that life does have exciting possibilities. This redemptive story shows that in life you should not allow fear to limit your horizons.

Twelve full moons. Twelve women. Twelve landscapes.

Twelve full moons. Twelve women. Twelve landscapes.

Twelve full moons. Twelve women. Twelve landscapes.

Twelve full moons. Twelve women. Twelve landscapes.

A classics professor finds herself enticed by a Matisse print and becomes enamored with its owner, hairdresser Lucian.

A classics professor finds herself enticed by a Matisse print and becomes enamored with its owner, hairdresser Lucian.

A gay man loses his partner. We hear his deepest thoughts as he walks through the woods of Mohonk; this internal voice is punctuated by graphic glimpses of new grief, interruptive and savage. Gradually the man explores his feelings and the landscape together, almost unconsciously allowing nature to infiltrate his being. He finds a hill, a horizon, a viewpoint - no conclusion but perhaps possibility along with perspective.

A gay man loses his partner. We hear his deepest thoughts as he walks through the woods of Mohonk; this internal voice is punctuated by graphic glimpses of new grief, interruptive and savage. Gradually the man explores his feelings and the landscape together, almost unconsciously allowing nature to infiltrate his being. He finds a hill, a horizon, a viewpoint - no conclusion but perhaps possibility along with perspective.

Separate We Come, Separate We Go is the story of a 10-year-old girl, Thea who escapes her bleak domestic life to find sanctuary in the surreal desert landscape of Dungeness. Roaming around the barren skeletons of boats and abandoned fishing huts, she is increasingly aware of her loneliness and vulnerability. Seemingly out of nowhere a man (David Thewlis) appears; she is so intrigued by him she defies all lessons taught about strangers and approaches him. As they walk and talk she discovers he is a widower and has lost his son; she realises she is not alone in experiencing loss. He notices her sadness and unusual maturity and decides to help lift her out of her melancholy. Through the metaphor of the freedom of flying birds, he shows her that life does have exciting possibilities. This redemptive story shows that in life you should not allow fear to limit your horizons.