Jancsó’s farce, similar to the previous ones, is about our time and about death. Pepe marries into a family of mafiosi, with the father-in-law rolling in money. In a joint venture they establish the first Hungarian Prison Limited company, where there is a menu, the prisoners are residents, and they furnish the place of execution for those volunteering to execute themselves. It turns out that the first voluntary hanging should be demonstrated on Pepe. In 180 AD Emperor Marcus Aurelius is dying in Vindobona, being fed with blades of hay by uncle Miki himself, and his son Kornél Mundruczó. Kapa provides for communication: he insists on telling lies, lies and again lies. Furthermore, there are several to die and to revive, to win and to lose, and Melancholy Béla is still alive.

In the bloody shadow of the French Revolution's reign of terror, a poet and a revolutionary vie for the affections of a noblewoman. Can the guillotine be stopped as their friendship turns to rivalry? In Andrea Chénier, the poet’s fate transcends actual events, telling the story of a tragic love triangle in which the lives of the protagonists are subject to the forces of history, betrayal and amorous passion. Along the way, Umberto Giordano's music, full of elegant aristocratic dances and popular revolutionary songs, perfectly captures the atmosphere of Paris before and during the French Revolution. Winner of the 2016 International Opera Award for Young Director, Fabio Ceresa returns to the Erkel Theatre for this impressive period production.