It doesn't help to have an exacerbated situation like a family losing their only son - killed in a motorcycle accident. His parents, however, don't know the girl who survived, now being treated at a local hospital. Especially the honest and principled father, presented as a model worker and responsible official, cannot come to terms with her superficiality and carelessness, with her dubious life values...

Martin, a poor student, volunteers to go on a quest to find a cure for the princess Adriana, who is stricken with a strange illness. Unknown to Martin or anyone else, the princess is actually under the spell of the powerful magician Andlobrandini, who is preparing a rejuvenating elixir made from the blood of nine men's hearts.

Vera, wife of the plumber Simandl (Josef Somr), is found murdered in the cinema next to the IDOC (Information and Documentation) agency where she worked. Police captain Marha (Frantisek Nemec), who is leading the investigation, is informed by Simandl that on the day of the murder Vera promised to bring home fifty thousand crowns to buy a car. Marha's primary suspects are the three men working at the agency: deputy editor-in-chief Brandl (Jirí Pleskot) and editors Pernata (Eduard Cupák) and Remes (Ludek Munzar, and of course also Simandl.

A divorced single mother romances a young slaughterhouse worker, must to the chagrin of her ex-husband.

The hero of the opening story, the Postman Puppet (directed by Zdeněk Troška), works as a postman in the mountains. When his wife is taken to the maternity ward, he goes on his usual hike through the solitudes. Little Libor goes after the father of two girls (Petr Pospíchal), who longs for a son. Meanwhile, the weather on the ridges worsens sharply. An experienced mountaineer and his little friend spend the night in a makeshift shelter... The second episode of Hádanka (directed by Jan Ekl) has a criminal plot. A new father (Vlastimil Hašek) gets drunk with friends in a wine bar and the next day becomes a suspect in a murder. He doesn't remember the critical moments, but his testimony leads to the capture of the real perpetrator... The main character of the final short story True Love (directed by Vladimír Drha) is a frat boy (Pavel Zedníček) who spends whole days in pubs. He gets a harsh lesson from his wife, who refuses to let him see the baby...

Three pensioners, three Josephs, living on a housing estate, are bored. They have nothing to do, so they make up all sorts of alliterations and tease each other. When one of them is approached by a neighbour, he asks if he can find out who is borrowing her bicycle from the carriage shop. He finds out it's a little boy who doesn't have a dad, and his mom doesn't have money for a bike. So he borrows the bike and always leaves it somewhere on the estate. The pensioners feel sorry for the boy, so one of them takes the blame and offers to be the boy's mum's surrogate grandparents.

The dreaded Italian mafioso, Marian Labuda, will also be convinced. Mafioso Carmello was guilty of the principles of his organization when he tried to fool the boss and earned a death sentence. The convict runs away from the killer through Vienna to Prague, which his Austrian colleague in crime recommended as a safe hiding place. None of them knows that the Czechs learned so much tricks under real socialism that a seasoned Italian professional is not enough to watch.