May 1945. On the outskirts of Prague, ordinary people meet Soviet soldiers-liberators with tears of joy in their eyes. In the early days of the lull, someone sadly recalls a pre-war life; someone unexpectedly meets his love; someone is returning from enemy dungeons looking hopefully into the future; and someone, having moved from a tank into a Czech tram, warmly recalls his craft as a car driver... These days, all those who survived the Great War fire swear an oath to keep peace on Earth forever, honoring the memory of those who gave their lives for simple human happiness.

In the last days of the war, American planes bomb a synthetic gasoline plant in the Sudetenland. The workers are then faced with the enormous task of building a new plant on the site of the ruins and starting production. Their efforts are truly bearing fruit - after immense sacrifices, Stalin's plants are back in full swing, which is something that competitors abroad don't like to see and they try to use the reaction to liquidate the production of synthetic gasoline...

The bourgeois family does not forgive, from her point of view, inappropriate behavior - contempt overtakes both the girl who decides to dedicate her life to dancing and her sister, who takes in her child, passing it off as her own. The sinister lesson is that even the greatest career cannot compensate for lost maternal love...

Mist on the Moors examines fates of just about a few people. Their stories are outlined in a short space of time and are a symbolic representation of the drama of life, struggle for justice, human cognizance and the healing power of love. One of the most important components of the film is the nature, which ceases to be a mere stage for its plot—it serves almost as an autonomous plot agent. The movie landscape is a precisely defined and localized one. Only the South Bohemian ponds can serve as the right environment for development of such earthy and typically human stories as we encounter in the Mist on the Moors.

Poetic story of a proletarian couple's relationship in the years of economic crisis and unemployment.

The hero of the story is the writer Vladimír Tůma, who is invited to spend a month studying in a neighbouring country. There, the foreign office assigns him a guide, Irena Stepowska. The two young people are attracted to each other, but there is a catch - Vladimír is married, Irena is married. But as they say, opportunity makes the thief, so it's no wonder that Tůma has his work cut out for him, and Irena, too, sometimes recovers only at the last minute. And she doesn't even know that her husband is coming to visit her...

An anthology of three absurd, ironic tales inspired by Čapek’s “Tales from One Pocket” and “Fables and Side Stories,” each showing uncanny forces disrupting ordinary lives: in Krejčík’s “Glorie,” a gentle clerk is haunted by a sudden halo; the other two segments by Mach and Makovec similarly blend everyday routines with ironic, supernatural twists.

The rude and bitter mining engineer Štěrba strongly opposes the proposal of his colleague Ing. Vochoče to reopen mining in the old mine. Vochoč's plan is precisely prepared and could solve many problems. However, Štěrba does not want to explain anything to anyone, he does not want to talk to anyone, his only refuge is the pub and his only friend is a glass of alcohol. He has resigned himself to a relationship with his wife. No one knows that he has very good reasons to prevent Vochoč and the others from taking their meritorious initiative...