Robert Lund (Roy Bjornstad) is a weary man, and his days as a starring saxophone player seem to be near their end. The Nazis have occupied Norway for some time, and he has been passing the time by telling his son Bobby (Erik Andersson) some tales of his previous exploits.

During the Summer while his parents are busy with work, a nine year old boy slips into a fantasy world to entertain himself. A world of strange adults, talking birds and magic. On his quest travelling involves steam engines and handcars.

Little Oddemann uses every means available to find Jesus, including his slingshot. The film takes us to Norway in the late '30s, where we meet a series of burlesque and humorous characters, whose antics convince Oddemann that growing up may be a bad idea. Yet Oddemann finds there are certain rewards to being grown-up, such as partying and chasing women, that merit closer examination.

A story about a young boy, Otto, whose childhood is brought to an abrupt end when Frank, an older boy, suddenly enters his life.

Once 8 year old Simon gets shrunk down to a microscopic level by a talking teddy bear, he ventures into the body of his ailing grandfather in search of the source of his illness.

Based on the television sitcom Fleksnes Fataliteter. Marve Fleksnes (Wesenlund) lives a comfortable life with his mother (Schønemann), but misses a woman in his life. He is afraid he might become the last Fleksnes. His mother enrols him in a charm school, where he excels. At the same time, a young lady moves into the apartment across the hall.

A gnome named Gurin wakes up with a foxtail as punishment for his practical jokes.

The daughter of a prominent medieval Norway landowner, Kristin grows up in total harmony with the ideals of the time: strong family ties, social pride and devout Christianity. As she accepts the fact that she has been arranged to marry the son of another landowner, Kristin's beauty, innocence and purity evokes violent emotions around her: envy, lust, murder, revenge. She seeks refuge in a convent, awaiting marriage. Here, the passion of her life strikes, the knight Erlend Nikulaussonn. However, their love cannot be private, and suddenly Kristin is the centre of a scandal.

Ole Aleksander plays in the hallway and disturbs his mother, who is cleaning, by ringing the doorbell. He gets his own key, but that only leads to more complications.

When his routine is broken the old man finds himself in true solitude.