
Acting
Bingham Bryant is a director, producer and film programmer based in New York City. His feature debut, For the Plasma (2014, co-directed with Kyle Molzan) screened at festivals including Entrevues Belfort, BAMcinémaFest, Maryland, IndieLisboa and Jeonju IFF, and was distributed in the US by Factory 25. In 2016 he produced Dear Renzo (dirs. Agostina Gálvez & Francisco Lezama), acquired by HBO for international distribution and an official selection at the Viennale, FICUNAM, BAFICI (where it took top prize in the Argentine short competition) and Palm Springs IFF. His short Foreign Powers (2019) world-premiered at the New York Film Festival and also screened at Maryland, Palm Springs, Nashville and the Chicago Underground Film Festival. He was the head of programming at streaming platform Le Cinéma Club, a film publicist at Cinetic Media, and has performed in films by Ricky D’Ambrose, Dustin Guy Defa and Joanna Arnow. His recent writing includes ‘Seeing Eye to Eye: Colour Correction Styles Across Today’s Film Restorations’ for Filmmaker magazine. Bryant is currently in post-production on an experimental short about art critic and collector Adrian Dannatt, and in development on his second fiction feature and a short adaptation of Edogawa Rampo’s ‘The Traveler with the Pasted-Rag Picture’.

A mosaic-style comedy following the life of a woman as time passes in her long-term casual BDSM relationship, low-level corporate job, and quarrelsome Jewish family.
Scenes from the working life of a male director: Defa sophisticatedly lampoons masculinity in filmmaking with this sly, surprising meta-movie. (Courtesy of Film Society of Lincoln Center.)

An applauded New York intellectual hires a young archivist to whitewash her late psychologist father's reputation by eliminating a forbidding, potentially incriminating paper trail.

A young man disappears amid talk of violence and demagoguery, leaving behind an obscure cache of letters, postcards, and notebooks.

Camila, a young Argentine theater director, travels from Buenos Aires to New York to attend an artistic residency to develop a Spanish translation of Shakespeare's "A Midsummer Night's Dream." Upon her arrival, she begins to receive a series of mysterious postcards which set her down a winding path through her past and towards her future.


Twenty years ago, believing she was doomed, Irma took a trip to Greece. Today, she retraces that journey, accompanied by three young men. From island to island, between sky and sea, the travelers read, listen and live, carried by a longing for beauty and clarity.

Camila, a young Argentine theater director, travels from Buenos Aires to New York to attend an artistic residency to develop a Spanish translation of Shakespeare's "A Midsummer Night's Dream." Upon her arrival, she begins to receive a series of mysterious postcards which set her down a winding path through her past and towards her future.

For the Plasma begins in a remote house on the coast of Maine, where a young woman named Helen has found work as a forest-fire lookout responsible for monitoring the nearby woodland. While analyzing CCTV footage of the surrounding forest, she discovers she can reconfigure her perception to predict shifts in global financial markets. But when her inquisitive and demanding friend Charlie arrives at the house, Helen finds herself challenged and unsettled by her new colleague, and the two girls’ relationship begins to unravel. From this cryptic premise grows a lo-fi mind-bender of intimate scale and startling relevance that flirts with sci-fi and horror conventions, even as it subverts them. To the strains of an electronic score, For the Plasma juxtaposes pastoral imagery with surveillance technology, every shade and shadow captured in gorgeous 16mm.

For the Plasma begins in a remote house on the coast of Maine, where a young woman named Helen has found work as a forest-fire lookout responsible for monitoring the nearby woodland. While analyzing CCTV footage of the surrounding forest, she discovers she can reconfigure her perception to predict shifts in global financial markets. But when her inquisitive and demanding friend Charlie arrives at the house, Helen finds herself challenged and unsettled by her new colleague, and the two girls’ relationship begins to unravel. From this cryptic premise grows a lo-fi mind-bender of intimate scale and startling relevance that flirts with sci-fi and horror conventions, even as it subverts them. To the strains of an electronic score, For the Plasma juxtaposes pastoral imagery with surveillance technology, every shade and shadow captured in gorgeous 16mm.

For the Plasma begins in a remote house on the coast of Maine, where a young woman named Helen has found work as a forest-fire lookout responsible for monitoring the nearby woodland. While analyzing CCTV footage of the surrounding forest, she discovers she can reconfigure her perception to predict shifts in global financial markets. But when her inquisitive and demanding friend Charlie arrives at the house, Helen finds herself challenged and unsettled by her new colleague, and the two girls’ relationship begins to unravel. From this cryptic premise grows a lo-fi mind-bender of intimate scale and startling relevance that flirts with sci-fi and horror conventions, even as it subverts them. To the strains of an electronic score, For the Plasma juxtaposes pastoral imagery with surveillance technology, every shade and shadow captured in gorgeous 16mm.

A young filmmaker named Domino travels from the UK to New York City to hunt down funding for her new film. Harkening back to classic counter-cultural Big Apple films of the 70s and 80s, Keep Looking has a loose, jazzy feel that gives this simple narrative a hip freshness.

An adaptation of “Sea Foam”, a chapter from Cesare Pavese’s “Dialoghi con Leucò” published in 1947. The ancient Greek poet Sappho and the nymph Britomartis meet beside the sea and have a conversation about love and death. Sappho is said to have thrown herself into the ocean from lovesickness. Britomartis apparently tumbled off a cliff and into the water while fleeing from a man. Together, the two discuss the stories and images that have emerged around them to try and understand, at least for a moment, the bittersweet nature of desire.

A nameless young woman recounts a peculiar dream, set in a mysterious fictional city and populated by her real-world friends and acquaintances, in Bingham Bryant’s vivid, precisely conceived exploration into the uncanny logic and banal strangeness of our subconscious wanderings.

A nameless young woman recounts a peculiar dream, set in a mysterious fictional city and populated by her real-world friends and acquaintances, in Bingham Bryant’s vivid, precisely conceived exploration into the uncanny logic and banal strangeness of our subconscious wanderings.

A nameless young woman recounts a peculiar dream, set in a mysterious fictional city and populated by her real-world friends and acquaintances, in Bingham Bryant’s vivid, precisely conceived exploration into the uncanny logic and banal strangeness of our subconscious wanderings.

Two young Argentines, brought together by chance, wander the streets of New York City, increasingly lost in a maze of currency exchange, translation problems, religious vocation and nocturnal flirtation.
