In this reworking of "No, No, Nanette," wealthy heiress Nanette Carter bets her uncle $25,000 that she can say "no" to everything for 48 hours. If she wins, she can invest the money in a Broadway show featuring songs written by her beau, and of course, in which she will star. Trouble is, she doesn't realize her uncle's been wiped out by the Stock Market crash.

Stuck with a feeble sports department, college coach Sam Archer (John Amos) faces the ax unless he can reverse the school's athletic fortunes. An African vacation with his assistant (Tim Conway) answers Archer's prayers when he spots the athletically gifted Nanu (Jan-Michael Vincent). Sam counts on Nanu's remarkable abilities to put the team back on the winning track. This upbeat farce boasts an impressive cast of comedians.

A discarded silk top-hat becomes the focus of a struggle between a washed-up stage magician and a group of schoolchildren, after it magically brings a snowman to life. Realizing that newly-living Frosty will melt in spring unless he takes refuge in a colder climate, the magic snowman and Karen, a young girl whom he befriends, stow away on a freight train headed for the North Pole. Little do they know that the magician is following them, and he wants his hat back!

Pretty Melinda Howard has been abroad singing with a musical troupe. She decides to return home to surprise her mother whom she thinks is a successful Broadway star with a mansion in Manhattan. She doesn't know that her mother is actually a burnt-out cabaret singer with a love for whiskey. When she arrives at the mansion, she is taken in by the two servants who are friends of her mother's. The house actually belongs to Adolph Hubbell, a kind-hearted Broadway producer who also gets drawn into the charade. Hubbell takes a shine to Melinda and agrees to star her in his next show. Melinda also finds romance with a handsome hoofer who's also in the show. All is going well for Melinda except that she wants to see her mother who keeps putting off their reunion.

Washington hostess Sally Adams becomes a Truman-era US ambassador to a European grand duchy.

Jed Potter looks back on a love triangle conducted over the course of years and between musical numbers. Dancer Jed loves showgirl Mary, who loves compulsive nightclub-opener Johnny, who can't stay committed to anything in life for very long.

In this sequel to Dear Ruth, teenaged Miriam starts a political campaign to nominate Bill Seacroft, her brother-in-law, for state senator in opposition to the local political machine. Unknown to Miriam, said machine nominates her father, Judge Wilkins. As support grows for Bill, the presence of rival candidates under one roof poses problems, especially for Ruth, wife to Bill and daughter of the judge.

Lt. William Seacroft, on leave from the Italian front, arrives at the New York home of Ruth Wilkins, with whom he has been corresponding. Unknown to both Ruth and Bill, Ruth's younger sister, Miriam, has been writing the letters and signing Ruth's name as part of a program to keep up soldiers' morale. Although Ruth has just gotten engaged to a coworker, she agrees to see Bill and pretend she wrote the letters.

Dozens of star and character-actor cameos and a message about the Variety Club (a show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, exchange identities, and cause comic confusion (with slapstick interludes) throughout the Paramount studio.

Funloving Pearl White, working in a garment sweatshop, gets her big chance when she "opens" for a delayed Shakespeare play...with a comic vaudeville performance. Her brief stage career leads her into those "horrible" moving pictures, where she comes to love the chaotic world of silent movies, becoming queen of the serials. But the consequences of movie stardom may be more than her leading man can take