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William George Wyman (né Perks; born 24 October 1936) is an English musician who was the bass guitarist with the rock band the Rolling Stones from 1962 to 1993. Wyman was part of the band's first stable lineup and performed on their first 19 albums. From 1997 to 2018, he performed as the vocalist and bass guitarist for Bill Wyman's Rhythm Kings. He was inducted to the Rock and Roll Hall of Fame as a member of the Rolling Stones in 1989. Wyman briefly returned to recording with the Rolling Stones in 2023. Wyman has kept a journal since he was a child after World War II. It has been useful to him as an author who has written seven books, selling two million copies. Wyman's love of art has additionally led to his proficiency in photography and his photographs have hung in galleries around the world. Wyman's lack of funds in his early years led him to create and build his own fretless bass guitar. He became an amateur archaeologist and enjoys relic hunting; The Times published a letter about his hobby (Friday 2 March 2007). He designed and markets a patented "Bill Wyman signature metal detector", which he has used to find relics dating back to era of the Roman Empire in the English countryside. As a businessman, he owns several establishments including the famous Sticky Fingers Café, a rock & roll-themed bistro serving American cuisine first opened in 1989 in the Kensington area of London and later, two additional locations in Cambridge and Manchester, England. Description above from the Wikipedia article Bill Wyman, licensed under CC-BY-SA, full list of contributors on Wikipedia.

A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.

An amalgam of documentary and cinema verité, this movie outlines the life, loves and music of Rolling Stones bass guitarist Bill Wyman. After leaving the Stones in 1981, Wyman tried to establish his own separate musical identity, conveyed here through a stream of hallucinatory images and animated sequences.

In 1971, to get breathing room from tax and management problems, the Stones go to France. Jimmy Miller parks a recording truck next to Keith Richards and Anita Pallenberg's Blue Coast villa, and by June the band is in the basement a few days at a time. Upstairs, heroin, bourbon, and visitors are everywhere. The Stones, other musicians and crew, Pallenberg, and photographer Dominique Tarle, plus old clips and photos and contemporary footage, provide commentary on the album's haphazard construction. By September, the villa is empty; Richards and Jagger complete production in LA. "Exile on Main Street" is released to mediocre reviews that soon give way to lionization.

This fly-on-the-wall documentary follows the Rolling Stones on their 1972 North American Tour, their first return to the States since the tragedy at Altamont.

With the help of more than 10,000 dedicated Zappa fans, this is the long-awaited definitive documentary project of Alex Winter documenting the life and career of enigmatic groundbreaking rock star Frank Zappa. Alex also utilizes in this picture thousands of hours of painstakingly digitized videos, photos, audio, writing, and everything in between from Zappa's private archives. These chronicles have never been brought to a public audience before, until now.

A concert film taken from two Rolling Stones concerts during their 1972 North American tour. In 1972, the Stones bring their Exile on Main Street tour to Texas: 15 songs, with five from the "Exile" album. Mick Jagger, Keith Richards, Mick Taylor, Charlie Watts, and Bill Wyman on a small stage with three other musicians. Until the lights come up near the end, we see the Stones against a black background. The camera stays mostly on Jagger, with a few shots of Taylor. Richards is on screen for his duets and for some guitar work on the final two songs. It's music from start to finish: hard rock ("All Down the Line"), the blues ("Love in Vain" and "Midnight Rambler"), a tribute to Chuck Berry ("Bye Bye Johnny"), and no "Satisfaction."

Documentary about the first 20 years of the Rolling Stones with interviews and a lot of rare archive footages all over the world, pictures, TV and live songs 1962-1982 ("Satisfaction", "Jumpin' Jack Flash", "Time Is On My Side" and many more). Hosted by punk star Nina Hagen. Interviews of Mick Jagger, his brother Chris, his father Joe, Keith Richards, Bill Wyman, Ron Wood, Ian Stewart, Bianca Jagger, Paul McCartney, Marianne Faithfull, Rod Stewart, Wendy O'Williams (from the Plasmatics), Diana Ross and Bill Graham (manager).

While The Rolling Stones rehearse "Sympathy for the Devil" in the studio, an alternating narrative reflects on 1968 society, politics and culture through five different vignettes.

Some Girls: Live in Texas '78 is a live concert film by The Rolling Stones released in 2011. This live performance was recorded and filmed in 16mm during one show at the Will Rogers Auditorium in Fort Worth, Texas on 18 July 1978, during their US Tour 1978 in support of their album Some Girls.

An amalgam of documentary and cinema verité, this movie outlines the life, loves and music of Rolling Stones bass guitarist Bill Wyman. After leaving the Stones in 1981, Wyman tried to establish his own separate musical identity, conveyed here through a stream of hallucinatory images and animated sequences.

A young opera singer is stalked by a deranged fan bent on killing the people associated with her to claim her for himself.

A down on his luck engineer gets involved in an adventure with a mysterious woman and an emerald magnate.

Charlie Is My Darling, directed by Peter Whitehead, was the first documentary film about The Rolling Stones. The movie was shot during the band's two-day tour of Ireland on 3 and 4 September 1965, and was completed in the spring of 1966. It received only spotty release in 1966 before being withdrawn, and has seldom been seen since then.

An amalgam of documentary and cinema verité, this movie outlines the life, loves and music of Rolling Stones bass guitarist Bill Wyman. After leaving the Stones in 1981, Wyman tried to establish his own separate musical identity, conveyed here through a stream of hallucinatory images and animated sequences.


