A wild and rollicking martial arts fantasy extravaganza that features prized swords and swordsmen, a crazy monk attached to a rolling boulder, serious clan and cult rivalries, and lots of magic and flying.

In late 19th-century Canton, legendary hero Wong Fei-Hung battles foreign forces' (English, French and American) plundering of China. When Aunt Yee returns from America totally westernised, Wong assumes the role of protector. This proves difficult when his martial arts school and local militia become involved in fierce battles with foreign and local governments. As violence escalates, even Aunt Yee has to question her new western ideals, but is it possible to fight guns with Kung Fu?

Swordsman Li Mak-Jan is on a quest to duel the powerful and reclusive Hua Qian Shu. But will a cursed sword and the intrigues of the martial world bring him fame or tragedy?

A woman diagnosed with leukemia meets a Chinese-Scottish sailor who she loses contact with. In order to find him she enlists Worm, a man who runs a “lost and found” business, and the two set out to find what she’s looking for.

Cross the Hu-du-men - the demarcation between the back and front stage in Cantonese opera - and you leave yourself behind to totally absorb in your character. Lang Kim-sum is a charismatic Cantonese opera star who understands it's a point of no return once she crosses the Hu-du-men, on stage and in life. Respected by colleagues and friends, and about to retire, Lang has yet to face new, unexpected Hu-du-mens in domestic and professional life.

Tom Chan, Dick Ching and his older cousin Hairy Mo live in the same tenement building but each of their love life is different.

An ex-pat travels from New York to his home village in rural China after a long absence. On his way, he meets a familiar girl.

Ah Sze (Cecilia Wong Hang-sau) abandons the country for city life, but fails to find refuge from her relatives in Macau and Hong Kong. Writer Joyce Chan realistically portrays a teenaged girl whose choices are finite if she wants to survive. We see Ah Sze in one scene, an innocent girl still in pigtails, in stark contrast with the next scene after she has lost her virginity. It creates an emotional impact that is more than heart-wrecking.

In the last episode of Patrick Tam’s anthology series “Seven Women” (1976), Lisa (Lisa Wang) suffers from "environmental depression" and those around her treat her like a lunatic. Joyce deploys a creative mix of dialogue and monologue to illustrate Lisa's complicated personality. She might act like any normal obedient daughter around her parents, yet other times she reveals her overly sensitive and suspicious mind as her moods run the gamut from poetic to violent. The villa where Lisa is sent to heal becomes a tumultuous battleground when a young doctor who has his own psychological hang-ups begins treating her and a conflict of egos is ignited.

The Story of Woo Viet, seven years before they traded wistful looks in An Autumn's Tale. Chow, in one of his earliest and meatiest film roles, plays the title role of Woo Viet, a Vietnamese refugee who hopes to immigrate to the United States.