When a roaming German Shepherd Dog rescues a boy's pet lamb from the slaughterhouse he struggles to reunite them, despite being chased by police and getting little cooperation from the lamb.

Jim Killian arrives in a small Arizona town hoping to establish a peaceful life as the local preacher, but he soon finds himself in the middle of a feud between sheep ranchers and cattlemen. Leloopa, a young Native American woman, pleads for Killian's help after her shepherd father is hung by Coke Beck, the vicious son of the head cattle rancher. Killian must weigh his actions carefully lest he perpetuate the cycle of retribution and revenge.

Two brothers flee America and join the Canadian North West Mounted Police. One brother is good, the other bad, both men on a collision course just as trouble starts to brew with the Indians.

In bustling era of 19th-century Louisiana, sugar is as valuable as gold, and pirates like Lili Scarlet will do anything to get it. After robbing Jules Tulane’s estate of his crop, Scarlet takes over Tulane’s land debt and forces him to pay or go to prison. In exchange for postponing his debt, Scarlet allows Tulane’s son, André, to work as her servant. When André and Scarlet fall in love, it leads to jealous rage from Scarlet’s former paramour, expert swordsman Hugo — and when Hugo looks to raid the Tulane estate again, it is up to André and Scarlet to take him down and save the estate.

Sierra Nevada Jones must fight a villainous rancher to regain the land that is rightfully hers.

Set in 1869, after the Civil War, Texas had not yet been readmitted to the Union and carpetbaggers, hiding behind the legal protection of the Union Army of occupation, had taken over the state. Federal Captain Porter, a Texan, has to carry out orders against his own people. He brings in the rebel leader Ben Westman whom he knows is innocent of a murder that he is accused of. In trying to prove his innocence, Porter himself becomes a wanted man.

A cavalry officer tries to keep a lid on a volatile situation when Indian leader Cochise is being prodded into starting a war.

After the Civil War, a Texan who served in the Union army comes back home to find himself ostracized by his neighbors for having fought against the Confederacy. On top of that, he finds that his younger brother is now the sheriff, and is ruling the town with an iron hand.

Bill Elliot emulates his idol William S. Hart in the superior western Topeka. Elliot plays the archetypal Good Bad Man, hired to kick the crooked element out of a small town. A hard-drinking, hard-living man, Elliot entertains thoughts of taking over the town himself for the benefit of his own gang. After several reels of soul-searching, Elliot decides to honor his promise to clean up the town for its decent citizens. Evidently director Thomas Carr rented a camera crane for this Allied Artists production, since the camera performs remarkable calisthenics, the kind not normally seen in a medium-budget western.

A man has his eyes set on controlling the Big Sag territory in Montana and hopes to achieve his goal by forcing a newly-arrived family from Texas from their land. Hoping to convince the local saloonkeeper to help him, the man sends his daughter into town with instructions for his potential partner. A storm waylays the daughter during her trip to town and she is forced to stay at the home of her father's intended victims, leading to an interesting turn or two.