A visually stunning comedy and music extravaganza. Filmed at Wembley Arena at the end of a sell-out tour of the UK, it’s everything you expect from Bill, and more. Using huge screens, films and animation by award-winning film-maker Joe Magee, plus Bill’s trademark musical inventiveness and verbal brilliance, this is quite simply the most

The show, recorded at London's magnificent Royal Albert Hall, is Bill's own hilarious and irreverent guide to the sounds, styles, and instruments of the orchestra, with a wide and eclectic range of subjects, including music for '70s cop shows, sci-fi films, horror movies, news themes, plus some of Bill's own songs re-imagined for an orchestra, and including Anne's own specially written new works.

One night from his 1996 Cosmic Jam tour at the Bloomsbury in London in which Bill explains the seminal influence of cockney knees-up music upon classical composers through the ages and takes a shot at Bryan Adams.

Jumping around from musing about the disappointment of Kinder Surprise eggs to medieval porn to men's tendency not to admit ignorance to a brilliant take-off of Chris de Burgh, which comes out of nowhere. Yes, Bailey lacks an inherent structure--unlike Harry Hill or Al Murray--so you could walk in half way through and not miss any underlying subtleties.

Featuring Bill’s trademark musical interludes, observations and stories of the road, Dandelion Mind will be based loosely on the theme of doubt (or will it?), as we follow Bill from his real-life saga of being trapped by the ash cloud, to his barely contained rants about celebrity, TV, creationism and Michael Winner. He demonstrates new instruments, both ancient and modern, he sings an internet love song, a lament about punk heroes, Iranian hip-hop, and plays a mean folk-bouzouki. Thomas the Doubter gets a new look, and Darwin’s curious obsessions and the myth of intelligent design are all worked over in Bailey’s own surreal style. He revisits the music of his youth, with a brand-new French Disco re-working of Gary Numan’s hit, Cars, played in his own inimitable way, and maybe some Wurzels-based remixes of classic German techno. Just your normal Bill Bailey gig, then. Filmed at The O2 in Dublin in October 2010

The show, recorded at London's magnificent Royal Albert Hall, is Bill's own hilarious and irreverent guide to the sounds, styles, and instruments of the orchestra, with a wide and eclectic range of subjects, including music for '70s cop shows, sci-fi films, horror movies, news themes, plus some of Bill's own songs re-imagined for an orchestra, and including Anne's own specially written new works.

After receiving rave reviews in Australia, New Zealand and the UK, Bill Bailey brings ‘Qualmpeddler’ to the Hammersmith Apollo London. A brilliant mix of stand-up, stories, music and old-fashioned wit distilled from his own extraordinary experiences and reactions to the modern world, he looks at Cut-Price Shark Diving, The Hiding Skills of Dentists, A Theory of Cognitive Dissonance & Internet Shopping, Mandarin Ambiguity, Religious Dubstep, and Fashioning Replacement Hamsters. All in all, vintage Bill Bailey with trademark musical mash-ups, multi-lingual riffs, films, songs, philosophizing and silliness on a grand scale…plus one amazing owl. “Qualmpeddler is... part rock-concert, part political discourse, part philosophical enquiry... masterfully constructed... the thinking person’s comedian...” - Herald Sun, Melbourne.

Bill Bailey's Part Troll tour has been a huge success playing over 60 dates throughout the country. This DVD, filmed at the Hammersmith Apollo, captures one of the country's best and most original stand-ups at the top of his game.

Bill Bailey plays The Royal Opera House in a dazzling display of stand up, music and more.

Limboland is a place where we find the gaps in life...from a fantastically downbeat version of Happy Birthday—via a hilarious tale of a disastrous family trip to see the Northern Lights—to a heart-rending country and western ballad on the nature of love, Bill explores our expectations of happiness with his trademark wit and musicality.