A husband is humiliated at home and at work. He decides he has had enough of it and hires a prostitute to help him get back at his boss, wife and friends and get a lot richer in the process.

This fly-on-the-wall documentary follows the Rolling Stones on their 1972 North American Tour, their first return to the States since the tragedy at Altamont.

The story of the rise and fall of the Pre-Fab Four.

Documentary about the first 20 years of the Rolling Stones with interviews and a lot of rare archive footages all over the world, pictures, TV and live songs 1962-1982 ("Satisfaction", "Jumpin' Jack Flash", "Time Is On My Side" and many more). Hosted by punk star Nina Hagen. Interviews of Mick Jagger, his brother Chris, his father Joe, Keith Richards, Bill Wyman, Ron Wood, Ian Stewart, Bianca Jagger, Paul McCartney, Marianne Faithfull, Rod Stewart, Wendy O'Williams (from the Plasmatics), Diana Ross and Bill Graham (manager).

A military experiment to create a race of super-warriors goes awry, as legions of murderous zombies are unleashed upon a suburban neighborhood.

A pioneering artist and cultural icon. His work is a history of 20th-century America. A country reinventing itself - as seen through the legendary artist's eyes.

A cross-country road race is based on an actual event, the Cannonball Baker Sea to Shining Sea Memorial Trophy Dash, organized by Brock Yates to protest the 55 mph speed limit then in effect in the U.S. The Cannonball was named for Erwin G. "Cannonball" Baker, who in the roaring 20's rode his motorcycle across the country. Many of the characters are based on ruses developed by real Cannonball racers over the several years that the event was run.

Anna is a coach and a stripper at night.

Studio 54 was the epicenter of 70s hedonism - a place that not only redefined the nightclub, but also came to symbolize an entire era. Its co-owners, Ian Schrager and Steve Rubell, two friends from Brooklyn, seemed to come out of nowhere to suddenly preside over a new kind of New York society. Now, 39 years after the velvet rope was first slung across the club's hallowed threshold, a feature documentary tells the real story behind the greatest club of all time.

Filmed over the last six months of the 2000 Presidential election, Phillip Seymour Hoffman starts documenting the campaign at the Republican and Democratic National Conventions, but spends more time outside, in the street protests and police actions than in the orchestrated conventions. Hoffman shows an obvious distaste for money politics and the conservative right. He looks seedier and more disillusioned the campaign progresses. Eventually Hoffman seems most energized by the Ralph Nader campaign as an alternative to the nearly indistinguishable major parties. The high point of the film are the comments by Barney Frank who says that marches and demonstrations are largely a waste of time, and that the really effective political players such as the NRA and the AARP never bother with walk ins, sit-ins, shoot-ins or shuffles. In the interview with Jesse Jackson, Hoffman is too flustered to ask all of his questions.