
Acting
From Wikipedia, the free encyclopedia Betty Balfour (27 March 1903 – 4 November 1977) was an English screen actress, popular during the silent era, and known as the "British Mary Pickford" and "Britain's Queen of Happiness". She was best known to audiences for her Squibs series of films. Balfour was the most popular actress in Britain in the 1920s, and in 1927 she was named by the Daily Mirror as the country's favourite world star. Her talent was most evident in the Squibs comedy series produced by George Pearson, while in his Love, Life and Laughter (1923) and Reveille (1924), rediscovered in 2014, she demonstrated a serious side to her character. Her role as a wealthy heiress in Somebody's Darling (1925) was an attempt to break out of her previous role as Squibs, to avoid typecasting. She made her stage debut in 1913, and was appearing in Medora at the Alhambra Theatre in Leicester Square when T. A. Welsh and Pearson saw and signed her for Nothing Else Matters in 1920. After replacing Gertrude Lawrence on stage in The Midnight Follies, Balfour was back with Pearson with her first starring role in Mary Find the Gold. In 1916 she starred in Fred Karno's all female revue, 'All Women,' notable at the time for its all female cast, including stage manager, musical director and advanced agent. Balfour made no attempt to break into Hollywood but like Ivor Novello she was able to export her talents to mainland Europe. She starred in the German films, Die sieben Töchter der Frau Gyurkovics and Die Regimentstochter; she also worked for Marcel L'Herbier in Le Diable au cœur, for Louis Mercanton in Croquette and La Petite Bonne du palace, and for Géza von Bolváry in Bright Eyes. Back in Britain, she also starred in Alfred Hitchcock's Champagne (1928). Balfour's sound debut, The Nipper (1930), based on the Squibs character, was only moderately successful. Her popularity diminished in the 1930s, though she played a supporting role to Jessie Matthews in Evergreen (1934), appeared with John Mills in Forever England (1935) and played the matriarch in 29 Acacia Avenue (1945). Balfour had less fortune in her private life. Her marriage with composer Jimmy Campbell went on the rocks in 1941 after ten years, a try of a comeback at the theatre failed in 1952. She died at age 74 in Weybridge, Surrey.

A spoiled heiress defies her millionaire father by running off to France to pursue her lover. Things don't go entirely as planned.

Ludivine, a lttle tomboy, takes on the too polite Delphin. Being caught, and punished, she wants him and his father to be dead. When the latter dies, she feels guilty and takes Delphin under her wing.

The Vagabond Queen is a 1929 British comedy film directed by Géza von Bolváry and starring Betty Balfour, Glen Byam Shaw and Ernest Thesiger. It was the final film directed in Britain by Bolváry before he returned to Germany. A young woman takes the place of a Princess who is a target for an assassination. This film was released in May 1929 as a silent film and re-released with synchronized music and sound effects in August 1930.

A chorus girl, who dreams of being a music-hall star, falls for an impoverished author.

Forever England gives John Mills his first leading role as Brown. Born after a brief affair between his mother and a naval officer, he joins the Royal Navy during the First World War. There his bravery and marksmanship keeps a German ship in port so a British ship can sink it. He becomes a hero, but at what cost?

Squibs, a cockney flowerseller with a father overwhelmed by gambling debts wins through with the help of assorted friends and a romantically inclined policeman.

Harriet Green, a beloved and radiant music hall star of the Edwardian era, mysteriously disappears on the eve of her wedding. Years later, she reappears on the stage as young looking and beautiful as ever.

The Robinsons are two respectable middle class parents living with their children in a suburban house in Acacia Avenue. Preferring to holiday every year in Bognor, they are pressed into booking a cruise for their annual vacation and thereby leaving their teenage children free run of their house. As the youngsters enjoy their newfound freedom and discover the angst of teenage life, Mr. and Mrs. Robinson begin to have second thoughts about their cruise and decide to return home early.

Jenny, a cheerful kitchen maid at the Paris-style Palais de Luxe, is hopelessly in love with charming head waiter Jean—only to be stood up when he forgets their planned tryst in favor of the hotel’s glamorous dancer, Lola. Humiliated and on the verge of arrest for “stealing” champagne, Jenny hides backstage where she’s mistaken for a performer, wows the crowd with an impromptu dance, and finally wins Jean’s heart.

A producer makes a star of the cockney waif who tried to rob him.


