How do you get the public's attention? Writer and troublemaker Jochen Anthrazit, known as Jochen A., has been asking himself this question ever since his debut novel "Note 6" was rejected by all publishers. Jochen A. is firmly convinced that this cannot be due to a lack of talent. But the individual can't compete with the disinterest of the masses - or can he? In order to draw attention to himself and his artistic work, Jochen A. commits a series of spectacular and highly media-effective crimes.

Eifel landlady Toni Janssen wants a child, but not necessarily a man. After an alcohol-fueled slip, her ex-boyfriend Hajü, of all people, gets her hopes up. Meanwhile, Heidi accidentally meets an old childhood friend.

Multi-generational vacation: daughter, mother and grandma make their way from their bedroom at home to sunny, faraway Gran Canaria. Armed with hats, they fight their way through a fruit paradise.

The bags are packed, hats have been found and now they’re off on their journey. A grandma, her daughter and her grandchild are flying to Gran Canaria for the weekend. The granddaughter films her grandmother, whilst her mother takes her mother by the arm, and Gran makes comments about life in a foreign country.

A man and a woman get to know each other at night in St.Pauli and spend an unforgettable hour together.

A man and a woman get to know each other at night in St.Pauli and spend an unforgettable hour together.

"Captain" Werner and his crew are quite astonished: in the depot of the Berlin garbage disposal there is a stroller with a baby!

Lucy, who is already human-like, claims that the first humans were mothers: The mother built a nest to secure the child when it became too heavy to carry. This is how she invented the house. She penetrated the dense branches with her voice to maintain contact with the child. That's how she invented language. Today, Lucy shakes her head and asks: "How did you let yourself be dragged down like that?".

The Stammheim trial against the leadership of the first generation of the RAF was one of the most elaborate in the Federal Republic of Germany. Through this trial, Stammheim also became a place of identity for the RAF. The docudrama uses the perspective of Horst Bubeck, who as a prison officer in the cell wing had the most intensive contact with the prisoners, to shed new light on the history.