The Unabridged Mrs. Vera’s Daybook tells a story of historic activism and community art through the works of two San Francisco artists and long-term AIDS survivors. During one of the darkest periods in US history, two men decide to bring joy and color to a broken community for which an entire movement has emerged. Supporters, fellow activists and members of the queer art community join the film to help paint this vivid portrait of perseverance, compassion and outrageous dime-store fashion.

20 years after Gendernauts, Monika Treut seeks out the pioneers of the transgender movement back then to find out how their lives and their activism have evolved, how they have grown into their identities and how their energy continues to have an impact today.

This movie is a queer history of the environment, taking root in the powerful paradigm change: to switch from ‘Earth as a mother’ to ‘Earth as a Lover’.

With a poetic blend of curiosity, humor, sensuality and concern, this film chronicles the pleasures and politics of H2O from an ecosexual perspective. Travel around California with Annie, a former sex worker, Beth, a professor, and their dog Butch, in their E.A.R.T.H. Lab mobile unit, as they explore water in the Golden State. Ecosexuality shifts the metaphor “Earth as Mother” to “Earth as Lover” to create a more reciprocal and empathetic relationship with the natural world. Along the way, Annie and Beth interact with a diverse range of folks including performance artists, biologists, water treatment plant workers, scholars and others, climaxing in a shocking event that reaffirms the power of water, life and love.

Beth Stephens and Annie Sprinkle activate the metaphor "Earth as lover" and join the fight against mountain top removal (MTR) in Appalachia.

From the creators of the first queer environmental documentary feature films comes a hot new offering. The third chapter is their most epic and daring yet — fusing art, activism, and intimate storytelling in a touching journey through crisis, change, and renewal. When a firestorm rips through their redwood forest home, two artist-activists — Beth Stephens & Annie Sprinkle —emerge with a powerful message of love, resilience, and ecological hope, guided by a relationship with their magical peacock.

After several years of living with a cult, Martha finally escapes and calls her estranged sister, Lucy, for help. Martha finds herself at the quiet Connecticut home Lucy shares with her new husband, Ted, but the memories of what she experienced in the cult make peace hard to find. As flashbacks continue to torment her, Martha fails to shake a terrible sense of dread, especially in regard to the cult's manipulative leader.