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Julius Caesar may have met his match in Cleopatra, the young queen of Egypt.
Eva is a single freelance painter. She is in love with a married man. She pretends that she never waits for him, and if he suddenly turns up she acts as if she is surprised. In reality the unresolved relationship is making her so depressed that her work is the only thing that is saving her. In an attempt to break her addiction she enters into a relationship with another man. But the balance she is looking for eludes her, as now she has to choose between the two. But Eva can't: she wants to have an entire life, not part of one. In the form of a sort of filmic diary, Eva now attempts to sort out the puzzle, which is her life.
For over half a century, the filmmaker Edgar Reitz, one of the signatories of the Oberhausen Manifesto and a pioneer of epic film narration, has explored, as a practitioner and theoretician, the rules and limits of cinema, which he always seeks to break and extend in new ways. One example of his tireless search and research are the Geschichten vom Kübelkind, which he co-directed with Ula Stöckl in 1969/70, 22 absurdly funny, subversive and anarchistic short films of different lengths, which consciously oppose all conventions, with incredible success. The films remain unrivalled in their Dadaistic inventiveness.
Documentary about the IG Farben Building in Frankfurt.
Feature-length interview film with Bernhard Sinkel about his four-part film 'Fathers and Sons' (1986).
Germany in the Thirties. A movie teller realizes that his profession is not longer needed. Silent movies are not produced any longer. Telling stories is the only thing the man was ever good in, so he does not know what to do now. As political circumstances are changing dramatically these days in Germany, he gets new hope that things will again be going better for him...
Nine fictitious documentaries and films reflect the mood of late 1970s Germany, particularly the two-month period in 1977 when a businessman was kidnapped by the RAF (Red Army Faction). The kidnap had been made to orchestrate the release of the original leaders of the RAF, aka the Baader-Meinhof.
After the death of the owner of the house Lina Braake is living in, the house is accrued to the bank. During the complete refurbishment of the building, the 81-year old woman is thrown out of her flat and is put in an old people′s home. There she meets 84-year old Gustaf. Together, the lively seniors come up with a plan to trick the bank with a smart credit fraud and take their revenge. They need the money to buy a country house on Sardinia and leave Germany for good. Although their coup proves to be successful, the bank soon finds Lina. But due to her old age she cannot be tried anymore.
In the late 1970s the German secret service fights against RAF terrorism and searches for constitutional enemies in the public service. Teacher Brasch implicates secret service agent Körner and the government in the suicide of a young teen. As a result Brasch and the exposed Körner are fired.
Film adaptation of the last part of Martin Walser's "Kristlein Trilogy": After the perpetually failing intellectual Anselm Kristlein had to make a living as a sales representative and advertising copywriter in "Halbzeit" and became a writer in "Das Einhorn" (filmed in 1977 by Peter Patzak), he now tries his hand as the owner of a pinball arcade in Munich, loses his wife's fortune, and returns to Lake Constance in a chaotic state of mind.
The three daughters of the Dessau merchant Sellmann move with their father to Prague in 1936, where he accepted a position as director of the Böhmische Landesbank. For the three different women begins a new life, which accompanies the film over a period of ten years.
A young man seeks freedom and eventually gets conformed. To escape society, he wanders south. After some adventures he returns to his lover, where he expects a civil career.