History professor Baisch, his depressive and tablet-addicted brother-in-law Anzengruber and a manic cabaret artist have a car accident on a remote country road after a party. Wedged between two trees they get stuck, doors and windows can no longer be opened, the windows made of bulletproof glass cannot be smashed. Injured and with no chance of escape, they wait for days for rescue. Their only provisions are a bowl of herring salad and a few bottles of Prosecco. Fits of rage and fear alternate with overwrought hilarity and desperate fits of crying. But it gets worse...

Major Kottan was actually born in the depths of the 1970s in a folk play by Helmut Zenker for the Vienna Volkstheater. More than 30 years after the film script was written, the Rabenhof version of the first Kottan TV episode, "Hartlgasse 16a," demonstrates the story's timeless validity. The stage version of this "milestone in television history," whose resonance is still felt in the German-speaking television landscape today, takes place here and now in the Rabenhof municipal building. The revival of the folk play genre is one approach to this venture; another explores the question of whether Helmut Zenker is not a direct artistic descendant of Ödön von Horvath.

For months, the corrupt Viennese policeman Albert Schuh unsuccessfully investigates the murder case of his former friend and colleague. Then he gets a young, overambitious partner. The German colleague Thorsten Richter is a set of correctness and ambition, and thus the exact opposite of the Viennese, the "benefits" from the criminal scene is quite open. Since the two can not stand, the dispute does not stay out. The Austrian stops the German an unnecessary undercover job on an erotic chat line and determined alone on.

In her teens, Mme. Zachanassian had to flee her home town in disgrace. Now she's old and rich and the town is facing bankruptcy. But she returns with news that she wants to help - as long as the townsfolk kill someone for her.

A young woman is found raped and bludgeoned to death. Her father can’t reconcile himself with her death, and even less with the fact that the murderer was never found. Half of his life he continues the search. Finally, after more than 20 years, as DNA-analysis becomes a factor in forensic medicine, new perspectives open.