Max Taurus, a sort of amateur detective, pursues the traces of general omni-present crime back to a partially demolished house. There, the remaining tenants try to gain pleasure and power from progressive abandonment in order to tear down their own conventionalities.

Frank and his S&M partner are surprised by Frank's harridan mother when she walks in on the pair in an amorous clinch. Frank's mother threatens to disinherit her son if he does not settle down and get married. Frank hires the actress Klara to pose as his wife, and the pair moves into a quaint country house. Soon the newly weirds are both after their handsome neighbour Eugen. Frank becomes confused when he feels he may be falling for his first female.

After Roy's demise, five friends try to reconstruct his life by reading through the late editor's notebooks - only to face some very personal demons. The Holy Bunch is a modernist melodrama: beyond-Antonioni in its images, decisively Dreyerian in its spirituality. One of German cinema's few modern (or Modernist) masterpieces.

Frank, a gay school teacher, has a very active sex life and an interest in making films. One evening, he meets Bernd and they become lovers. But while Bernd is attentive and caring, Frank gets bored and continues his polymorphously perverse ways.

Clonetown 1974 to 1979: a terrorist defector named Charon sits on the edge of oblivion and commentates on the imminent putrification of an abducted car dealer.