The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.

The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.

Joca, a 21-year-old, hosts a gathering with friends at his home. As a vinyl enthusiast, he showcases his collection and plays one of the records. His friends - Vitor and Rebeca - arrive, and conflicts arise. Vitor and Joca argue about Joca's record collection, leading to Rebeca feeling unwell. The next day, Joca wakes up with little memory of the previous day, finding a bottle of alcohol indicating excessive drinking. Before he can reflect on the night, he receives a mysterious delivery: a vinyl record. The record plays a bizarre song with warnings for Joca, but he doesn't take them seriously. Mysterious phenomena start occurring, leading to a mysterious revelation for the character.

Joca, a 21-year-old, hosts a gathering with friends at his home. As a vinyl enthusiast, he showcases his collection and plays one of the records. His friends - Vitor and Rebeca - arrive, and conflicts arise. Vitor and Joca argue about Joca's record collection, leading to Rebeca feeling unwell. The next day, Joca wakes up with little memory of the previous day, finding a bottle of alcohol indicating excessive drinking. Before he can reflect on the night, he receives a mysterious delivery: a vinyl record. The record plays a bizarre song with warnings for Joca, but he doesn't take them seriously. Mysterious phenomena start occurring, leading to a mysterious revelation for the character.

The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.

Frederico and Julieta share a young marriage, caught between crises and reconciliations. When Julieta’s behavior suddenly changes, Frederico searches for answers — only to discover that under the table, a third pair of legs might change everything.

With her partner lost at sea, a young woman begins to question her perception of reality and identity.