An old Parisian bistro with eternal charm. Eight gentlemen at the table, eight great figures. They were the “kings of Paris”… National treasures, masterpieces in peril. A well-honed ritual ... A sense of humor and self-deprecation intact. Tenderness and cruelty. Eight old friends who hate and love each other. And suddenly an intruder ...

A look back at "La Cage aux Folles", which ran non-stop for five years, from February 1973, on the stage of the Théâtre du Palais Royal in Paris. At a time when homosexuality was considered a crime by the law, Poiret and Serrault achieved great success in boulevard theater. Their success continued on the silver screen, with three Oscar nominations and a Broadway musical. Combining never-before-seen archives from the play, extracts from the film, confessions by Poiret and Serrault, and interviews with witnesses, this is the story of a wild epic.

Rose, 78-year-old, has just lost her beloved husband. When her grief gives way to a powerful impulse to live her life, making her realize that she can still redefine herself as a woman, the whole balance of the family is upset.

Filmed in the 1970s with the art critic Otto Hahn, this film is the only visual document which brings together the thirteen Nouveaux Réalistes who participated in the artistic movement created by critic Pierre Restany in 1960 and including the text of the declaration collective was signed by Yves Klein in nine copies. Each of the artists appropriates a piece of land from the civilization of waste: from Arman the accumulations, from César the compressions of scrap metal, from Jean Tinguely the rusty machines, from Raymond Hains the torn posters.

A beach on the shores of the Mediterranean, crushed by the sun, under an implacable blue sky, isolated on a rock like Sisyphus rolling away his bitterness, a man is on the verge of suicide. While ruminating on his fixed idea, he is disturbed by an intruder, a doctor on vacation like him. The man with a fixed idea (Pierre Arditi) declares "I felt in a state of inhumanity", the doctor (Bernard Murat) decked out in all the holidaymaker's accessories: a landing net, an easel and a colored box, comes to invade the morbid loneliness. The importunate debonair begins a conversation that will turn into a philosophical joust where we approach science, Einstein, politics, and the verb. THE MATERIALIST AND THE PHILOSOPHER scrap at speckled foils with the sharpest and most divinely French spirit. Conversation is a balm, an intellectual bandage. The good doctor is a good practitioner and a brave man!

Sebastien Nicolas is a reclusive realtor leading a double life – in his spare time he creates complex disguises based on acquaintances. Combined with minutely studied and rehearsed impersonations, Sebastien can disappear completely into other people's lives. Things spiral out of control after he impersonates the wrong man.

John Rockefeller is completely overwhelmed by events: he must simultaneously face the perpetual attacks of "colorful" Indians , the multiple romantic imbroglios which are playing out within his home, the sudden crisis of dementia of his wife and finally the drunken wanderings of the local doctor, Doctor Butler, a man particularly given to drink.

In a small provincial town, students meet at a party organized by one of them, and share their thoughts on the difficult year they are leaving : the preparation of high school diploma.

A chance meeting with an alluring stranger leads a sports journalist down a twisted path of deception.

Vincent, a wealthy real estate agent, is invited to dinner by his sister Elizabeth and her husband Peter, both professors in Paris. Claude, a childhood friend and trombonist in a symphony orchestra, is also present. Vincent brings news from the prenatal examination of his and his wife Anna's unborn son. The name chosen by the soon-to-be parents strongly offends the others for many reasons. The dispute between the guests quickly escalates and before long the resurgence of old grudges and hidden secrets is unavoidable...