
Costume & Make-Up
Benoît Lestang (14 December 1964 – 27 July 2008) was a French special effects designer and makeup artist who worked on a number of French films. Lestang began working as a collaborator on the French fantasy film magazine Starfix in the 1980s. Lestang worked as an effects artist on the American horror film Brain Damage (1988). He also worked as a special effects makeup artist on numerous French films, including Baby Blood (1990), Sade (2000), Brotherhood of the Wolf (2001), and The Diving Bell and the Butterfly (2007). Lestang worked as an effects artist on two films by Pascal Laugier: Saint Ange (2004) and Martyrs (2008), as well as on Olivier Assayas's Sentimental Destinies (2000) and Demonlover (2003). In 2005, Lestang directed the music video for Mylène Farmer's song "Q.I.". Lestang died by suicide in Paris on 25 July 2008, shortly before the release of Martyrs. Source: Article "Benoît Lestang" from Wikipedia in English, licensed under CC-BY-SA.

Chloé, a student specializing in Celtic History, participate in a dig in the forest of Broceliande while a series of murder occurs on the campus. Chloé must soon face the mythical monster behind the string of murder and use her knowledge to make it out of the forest alive ...

A French corporation goes head-to-head with an American web media company for the rights to a 3-D manga pornography studio, resulting in a power struggle that culminates in violence and espionage.

In early 1920s France, an author, lying on his deathbed, looks at various photographs and is flooded with memories of the people and events that have shaped his life.

Vansan is 30 years old, but he never learned to make decisions. Whatever it is. Should he marry his girlfriend, should he start a business with his friend, what color should he buy shoes for? Life for him is an eternal dilemma. But one day, fate made a choice for him. Vansan crashes into an advertising post by car and makes a leap in time for 16 years in advance. Now at about forty, he heads a large corporation, is married to a woman with whom he is barely familiar, has a teenage son who is constantly bold to him, and an early-ripened daughter. And he has absolutely no idea what to do with all this. Realizing that he has become everything that he always despised, Vansan is desperate to go back and make the right choice. But can he turn back the clock? ..

France, 17th century, during the reign of Louis XIII. When a dear friend, the Duke of Nevers, is treacherously assassinated by a powerful relative, a skilled swordsman, the noble Henri de Lagardère, seeks his rightful vengeance as he tries to protect the innocent life of the duke's last heir.

A cruel circus owner beats and abuses his pregnant wife. One day the circus receives a leopard newly captured in Africa, but the animal soon dies. However, an evil creature that was inside the leopard bursts out of the animal's body, burrows into the wife's body and takes over her fetus. It soon starts demanding blood, and the woman goes searching for victims for her new "baby."

In 1933, a young woman and her father discover an Alabama plantation whose inhabitants live as if slavery had never been abolished. Feeling a sense of duty to those behind the heavy gates, she stays to liberate the people and see them through their first harvest. With four of her father's colleagues and a lawyer, she faces the daunting task of resurrecting the place known as Manderlay.

Ben and Bill are the two worst, completely useless agents - real losers. But who else would you send on a super-difficult top-secret mission? The French have just sold a new high-power M51 rocket to the Russians for crazy money. Unfortunately for them, the rocket was hijacked before they could get it of their hands. However, not just any fool is up to neutralizing this threat, but only the craziest and most stupid of them can cope with such a task.

Shortly before her wedding, art gallery director Nora travels from Paris to Grenoble to visit her preteen son, Elias, who is spending time with her aging professor father, Louis, recently diagnosed with terminal cancer. During her stay, she reaches out to her former lover, Ismaël, a viola player and father figure to Elias who has been committed against his will to a mental hospital. Ismaël, however, has his own problems to sort out.

In late nineteenth century Charante, Protestant minister Jean Barnery causes local disquiet when he arranges a separation from his obsessive wife. He and his lover keep their love strong as the world changes around them.

