Two gay men living in St. Tropez have their lives turned upside down when the son of one of the men announces he is getting married. They try to conceal their lifestyle and their ownership of the drag club downstairs when the fiancée and her parents come for dinner.

La Cage aux Folles "The Cage of Madwomen") is a 1973 French farce by Jean Poiret centring on confusion that ensues when Laurent, the son of a Saint Tropez night club owner and his gay lover, brings his fiancée's ultraconservative parents for dinner.

Television parody. Sketches include: Women Who Have Made It With Me, No-Arms Bandits, Pee-Wee's Playhouse, & Funky High School. Features a performance by Riders in the Sky & Devo's "Beautiful World" music video. Also, excerpts from Tom Tom Club's "Genius of Love" video, & QUASI AT THE QUACKADERO.

Third and final version of the La Cage aux Folles series has Renato's drag queen lover Albin learning that he can inherit a vast fortune from a distant relative. But the catch is that Albin must marry (a woman) and produce a heir within a year or the whole inheritance will be forfeited.

In a move to make his partner, Renato, jealous, the flamboyant Albin waits in a local cafe - dressed as a woman - hoping to be picked up. But Albin gets more than he bargains for when the fly he catches in his web is actually a spy, who uses him as an unwitting courier of secret microfilm. Now on the run from ruthless agents, Albin and Renato flee to Italy where they attempt to hide out on a farm, with Albin posing as Renato's wife. Can Albin escape the deadly pursuit of these relentless spies or does he have to sustain this charade - as a woman - forever?

The story is based around "spermulites", the alien inhabitants of a dying planet. The only way they can save their planet is by sucking the men of planet earth dry of sperm, kind of like horny vampires.

There comes a time in every young athlete's life when he or she must weigh the value of training against the isolation from the activities of other youths. In this French movie, Sonia Petrova plays a young ballerina pondering this question. Her teacher is incredibly strict and stern, and the regimen she requires is all-encompassing. She explores the alternatives through the help of a hip young male student of modern dance, with whom she has a brief affair, but decides to continue with her classical training.