
Directing
Benedikt Erlingsson (born 31 May 1969; Reykjavík) is an Icelandic actor and theater and film director. He graduated from the Iceland Academy of the Arts in 1994 and has been with the National Theater of Iceland for most of his career. He has directed two feature-length films, both of which have won the Nordic Council Film Prize.

The owner of an Information Technology firm wants to sell his business for profit. The trouble is that when he started his firm he invented a nonexistent company president to hide behind when unpopular steps needed to be taken. When potential purchasers insist on negotiating with the "Boss" face to face the owner has to hire a failed actor to play the part.

To start with we are led to believe the setting is a country-hotel of some sort. In the end we discover this is a State Rehabilitation Facility and everything that happens is a carefully orchestrated escape plot by some of the inmates. The film was shot on location at an isolated boarding school in Saelingsdalur in the west of Iceland. The school is used as a hotel during the summer months but the film takes place in the wintertime.

Robert is an important man with big responsibilities. One day he has an accident that blurs the border between the man and the beast within. Robert acts out and suffers the consequences.

Some people have to live their lives on a constant look out for snakes. Some even have to wear boots all the time. But people in Iceland have the privilege of just wearing whatever shoes they want – without any worries.
The fate of a crosseyed sheep in the highlands of Iceland.

TV movie based on the first chapters of the Icelandic Brennu-Njáls saga. The first part of Njálssaga is a half-hour long drama based on a part of Brenna-Nálssaga. It tells the story of Hallgerður Langbrók having food stolen in Kirkjubær and the horse she received as a reward from Gunnar. This is followed by Gunnar's quarrel with Otkel in Kirkjubær and his advisor Skammkel. Their business ends with Gunnar killing both of them. The second part is a half-hour long documentary where scholars bring out something interesting about this part of the story.

Post-war provincial Iceland: around 1950, Freyja, who'd been a plump teen, returns from America, a widow with a 20-inch waist, seven suitcases of dresses, and a list of who ever wronged or slighted her. She moves in with an aunt and socialist uncle: finding a new husband is high on her agenda, and she's mistrusted by Agga, a pre-teen who's our eyes and ears. The social order and Freyja are more complicated than they seem at first, and so may be her prospects. Class divisions, families ties, pride, the onset of puberty, and the power of Eros sliver the ice.

Hannes is an old man who has grown apart from his children. Recently retired when his wife gets ill he tries to reconcile with them and to atone for his cold demeanor in the past.

Ashamed for being a debt-collecting thug, David believes that he is an ugly duckling waiting to become a swan. Through an unlikely mentor he finds out that life has indeed something very special in store for him.

Welcome to world of the Circledrawers - lowly janitors of the Almighty's imperfect system, angels living among us and performing the most mundane of tasks. Oleg, a special emissary has arrived at transmission central in Iceland to do the semi-centennial report on the efficiency of the Circledrawer system.

A country romance about the human streak in the horse and the horse in the human. Love and death become interlaced and with terrible consequences. The fortunes of the people in the country through the horses' perception.

A country romance about the human streak in the horse and the horse in the human. Love and death become interlaced and with terrible consequences. The fortunes of the people in the country through the horses' perception.

Halla declares a one-woman-war on the local aluminium industry. She is prepared to risk everything to protect the pristine Icelandic Highlands she loves… Until an orphan unexpectedly enters her life.

This film tells the story of itinerant circus performers, cabaret acts and fairground attractions, showing rarities and never-before seen footage of fairgrounds, circus entertainment, freak shows, variety performances, music hall and seaside entertainment, chronicled from the 19th and 20th century. We will see early shows that wowed the world and home movies of some of the greatest circus families. Director Benedikt Erlingsson takes us back to the days when the most outlandish, skillful and breathtaking acts traveled the world. This rich visual archive has been created with exclusive access to The University of Sheffield’s National Fairground Archive and is accompanied by an epic new score by Georg Holm and Orri Páll Dýrason of Sigur Rós, in collaboration with Hilmar Örn Hilmarsson and Kjartan Dagur Holm.

Robert is an important man with big responsibilities. One day he has an accident that blurs the border between the man and the beast within. Robert acts out and suffers the consequences.

Robert is an important man with big responsibilities. One day he has an accident that blurs the border between the man and the beast within. Robert acts out and suffers the consequences.

Robert is an important man with big responsibilities. One day he has an accident that blurs the border between the man and the beast within. Robert acts out and suffers the consequences.

Halla declares a one-woman-war on the local aluminium industry. She is prepared to risk everything to protect the pristine Icelandic Highlands she loves… Until an orphan unexpectedly enters her life.

When the Icelandic banks collapsed in the autum of 2008, taking most of the economy down with them, Ari Alexander took his camera and started to film what was happening in this tiny but relatively stable and affluent society. He filmed the ever-larger protests that in the end led to the downfall of the government. He took interviews with people shocked and confused by what was going on around them. He went to conferences and seminars where scholars tired to work out what had happened and what should happen next. He followed the endless debates and negotiations around the Icesave-accounts set up by Icelandic banks abroad. Every day brought fresh news of the complicated and often illegal deals made by financiers and bankers in the years leading up to the collapse.

Gunna is driving a lonely mountain road when she suddenly runs out of gas. Luckily she sees a car parked a little further by the roadside. Clueless, she doesn´t notice that Jon, the driver, is planning a suicide, but asks him for help. Their acquaintance leads to a new turn of events.


