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This Nigerian movie tells the story of Apolonia stealing an old woman’s bible which she cherished so much and placed a curse on the culprit.
A cinematic experiment exploring the continuing relevance of the late theorist’s ideas on capitalism, culture, and the future. Blending documentary, performance, and hauntological fiction, the film follows Parkins — a time-slipped character — through ghostly landscapes and digital spaces, tracing Fisher’s thought from the 1990s to our algorithmic present.
