László Dömötör, the divorced registrar, cannot get rid of his ex-wife any more than he can get rid of marriages. He is desperate to find new love, with little success. After Dömötör gets drunk as a tension reliever at work and turns one of his weddings upside down, his boss fires him. On his way out, he catches a glimpse of Norbert Lázár, an up-and-coming, semi-secret producer who runs nightclubs. Unconfirmed reports say he died in Africa. The man looks exactly like him. All of this spurs him to a crazy idea. A modernised adaptation of the 1942 comedy.

Péter Sóvári is a successful actor and notorious womanizer. Director Lajos Borsai, equally fond of the playboy lifestyle but in dire financial straits, aims to secure his fortune by wooing Mexican soap-opera tycoon Dulcinea de la Rosa as both wife and backer for his script. Their paths collide when both men fall in love with rising star Ibolya.

Péter Sóvári is a successful actor and notorious womanizer. Director Lajos Borsai, equally fond of the playboy lifestyle but in dire financial straits, aims to secure his fortune by wooing Mexican soap-opera tycoon Dulcinea de la Rosa as both wife and backer for his script. Their paths collide when both men fall in love with rising star Ibolya.

After they got imprisoned, small-time criminals Kuplung and Csumpi tell their stories to their cell-mate of how they have planned the most imperfect robbery. Their big idea was to rob the Money-liquidation Warehouse. The movie shows how they fielded a team to execute the robbing and how everything went wrong.

"Once upon a time there was an old gypsy. He had never left the hill where he lived. He never went to the inn, nor read the newspaper or watched Dallas. He was a proud man who liked to tell stories. Even though he avoided the church, he knew what the fear of God was. The old gypsy was blessed by three beautiful daughters whom he loved more than anything else. The two older ones soon found husbands, but the youngest Sarolta only walked up hill and down dale. She was the apple of his eye..." This is the beginning of Romani Kris. The film shows the gypsy Lovér and the village idiot Tamáska on their dramatic and adventurous journey through a Hungarian landscape at times lush and at times barren to present a lyrical, magical and unforgettable story.

"Once upon a time there was an old gypsy. He had never left the hill where he lived. He never went to the inn, nor read the newspaper or watched Dallas. He was a proud man who liked to tell stories. Even though he avoided the church, he knew what the fear of God was. The old gypsy was blessed by three beautiful daughters whom he loved more than anything else. The two older ones soon found husbands, but the youngest Sarolta only walked up hill and down dale. She was the apple of his eye..." This is the beginning of Romani Kris. The film shows the gypsy Lovér and the village idiot Tamáska on their dramatic and adventurous journey through a Hungarian landscape at times lush and at times barren to present a lyrical, magical and unforgettable story.

This biopic traces the life of Dr. József Béres from the development of the "Béres drops" to his struggles under the Communist regime in Hungary.

This biopic traces the life of Dr. József Béres from the development of the "Béres drops" to his struggles under the Communist regime in Hungary.

1991, farewell in Budapest. Mária remembers the past in tears. Her husband, Tibor, a chemist and a target of the KGB, left their apartment one evening to fetch some cigarettes only to be found drowned in the shallow Lake Balaton the following day. Their son, Peter, a student in Western-Europe, was found dead on the Danube embankment.