Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

As Diondre Howell re-adjusts to civilian life and struggles to cope with the scars of the Iraq war, he increasingly becomes a threat to those he cares about the most – his family.

Upon acquiring a vintage toy, the "Peep-Scope", a man unleashes a ghostly entity from a comic book into his own home.