Even with all the brutality in the Brazilian dictatorial period, many artists presented themselves as a resistance, using their talent and creativity as a way to trick the censorship.

Fifteen year ago, Carlos went to the cinema to meet Júlia, his university colleague with whom he was in love. She never showed up. Carlos was left waiting in the lobby alone. While he waits, something happens which will change his life. A scene, an encounter, an unfinished sentence... Something insignificant, but which will determine the character's life. Fifteen years later, we follow three completely different versions of Carlos's life. In one, he is a man divided between the stability of a secure life in a lukewarm marriage, and the growing desire to live a great love affair. In the second, he is homosexual and places passion above all else. In the third possible life, Carlos is a man who hasn't yet discovered love, and lives through successive disastrous relationships in search of the perfect woman. One of them is his real life. Another is not his life. And a third is the life he'd like to lead. Which is his true life ?

In May 1993, Brazil experienced one of the worst economic crises in its history. The government then decides to set up a real task force to solve the problem. Confined to a bunker as a way of shielding the operations of growing political pressures, the special economic team will have to do its best to reach agreement and create the Plano Real.

Three couples meet in the middle of Carnival, trying to get together in the midst of various conflicts that have the biggest party in Brazil as a scenario - and often as a cause.

Carlão is a prejudiced man who works in a car dealership with Cadinho, Zeca and Antunes. In conversations between them, Carlão always boasts of being the greatest soccer and mechanics savvy, all amidst macho and homophobic jokes. When Evaristo is the target of such verbal assaults, he pursues him and locks him in a magic locker. From there comes Carlinhos, a homosexual alter ego that takes over Carlão's body when night comes.

Vidigal Hill, 1977. A runaway group of bandits engage in a complex love triangle in the brink of the news that the corrupt Rio de Janeiro mayor decided to make everyone move out of Vidigal, aided by police forces.