Bayron Norman | WatchedThis
Bayron Norman
Directing
Biography
Bayron Norman is a mexican filmmaker, screenwriter, actor and director.
Filmography Movies
Acting
En el camino
During the trip back from their vacation, a young couple is stranded in the middle of the road and they lose all forms of communication, including each other.
At Midnight
Unearth the chilling folklore of Mexico with this haunting anthology of terror. From ghostly apparitions to cursed objects, "At Midnight: Volume 1" brings to life four spine-tingling tales: "The Headless Man of Plaza de Armas", "The Nun of the University Hospital", "The Woman of 11-40" & "The Cursed Phone of Clinic 16". Each story reveals the dark mysteries woven into Mexico’s rich cultural heritage. Will you dare to uncover the truth?
Production
Hoyo en dos
In an innocent oversight during a golf lesson, Emiliano hits his mother's boyfriend with a golf club, causing him the loss of an eye as a result of the accident. Burdened by an overwhelming sense of guilt, Emiliano rejects his mother's attempts to help, fracturing the relationship between the boy, his mom, and the only father figure he knows.
Hoyo en dos
In an innocent oversight during a golf lesson, Emiliano hits his mother's boyfriend with a golf club, causing him the loss of an eye as a result of the accident. Burdened by an overwhelming sense of guilt, Emiliano rejects his mother's attempts to help, fracturing the relationship between the boy, his mom, and the only father figure he knows.
Hoyo en dos
In an innocent oversight during a golf lesson, Emiliano hits his mother's boyfriend with a golf club, causing him the loss of an eye as a result of the accident. Burdened by an overwhelming sense of guilt, Emiliano rejects his mother's attempts to help, fracturing the relationship between the boy, his mom, and the only father figure he knows.
El turno de la aullante
Naomi awaits outside a prison for the release of Fidel, the man responsible for the death of her family. She furtively follows the man during his first hours of liberty. Fearing that she has lost track of him in a bar, Naomi decides to enter the place and accidentally reveals herself to Fidel, carrying a weapon and a desire for revenge that are increasingly difficult to hide.
El turno de la aullante
Naomi awaits outside a prison for the release of Fidel, the man responsible for the death of her family. She furtively follows the man during his first hours of liberty. Fearing that she has lost track of him in a bar, Naomi decides to enter the place and accidentally reveals herself to Fidel, carrying a weapon and a desire for revenge that are increasingly difficult to hide.
El turno de la aullante
Naomi awaits outside a prison for the release of Fidel, the man responsible for the death of her family. She furtively follows the man during his first hours of liberty. Fearing that she has lost track of him in a bar, Naomi decides to enter the place and accidentally reveals herself to Fidel, carrying a weapon and a desire for revenge that are increasingly difficult to hide.