Short film about the politics of measuring.

An attempt to describe the everyday of a place that struggles for the most basic human rights: the Gaza Strip as a microcosm for the failure of civilization.

Short film about the politics of measuring.

An attempt to describe the everyday of a place that struggles for the most basic human rights: the Gaza Strip as a microcosm for the failure of civilization.

A woman recounts her story of the mass exodus of Palestinians from Jerusalem, beginning with the arrival and ending with the departure. The tale moves backwards in time and through various landscapes but the events are not being undone and the story has not been untold. Farther Than The Eye Can See is the tracing of a decaying experience told through words of a place that no longer exists.

Deep in the woods of New Hampshire, apathy and violence are blurred. A horror nature film develops, as Basma Alsharif fuses images from Ruggero Deodato’s “timeless slice of visceral horror,” Cannibal Holocaust, a self-referential study of sorts of the representation of violence, with those of another horror, equally distant, yet all too close.

for the installation: Renée’s Room

for the installation: Renée’s Room

High Noon is the meeting between the Southern Californian landscape with that of the South-Eastern landscape of Onomichi Japan as an experience of the gravitational pull towards the center of the earth, with the knowledge that we are sometimes standing on the world upside down. We briefly glimpse each landscape as a dizzying series of loops that seem to repeat themselves endlessly.

a 3 minute camera edit blends the slow motion image of a woman walking into a river over the course of an hour.