Albert and Yvette fall in love in Paris but at a bad time. It’s 1941. He is an occupying German soldier and clarinettist. She is a young French-Czech pianist. When the post-war authorities declare ‘No marriage between enemies!’ who can help the young lovers? Enter Emile: part Emcee, part guardian angel. Leonore 40/45 is an opera written by Rolf Liebermann, Swiss composer and former artistic director of the Paris Opera. The style of the opera belongs to the 1950s, rooted in the 12-tone tradition of Schoenberg and Berg but lightened by lyric interludes and ‘semiseria’ sending up.

After the destruction of Troy, the Trojan warrior Énée sets out on a journey to found a new dynasty. He meets Didon, Queen of Carthage, and falls in love. But will Énée's love for Didon prove stronger than his sense of duty? LES TROYENS ('The Trojans') is a tour de force of music that ranges from fiery military marches to intense choruses, passionate soliloquies – such as those of the prophetess Cassandre – and the lyrical love duets of Didon and Énée. It is Hector Berlioz's largest work and he wrote the libretto himself, drawing upon his intimate knowledge of Virgil's Aeneid. To the composer's disappointment, LES TROYENS was only performed once in full during his lifetime and was often presented in shortened form during the 20th century. The Royal Opera's production provides a rare chance to see this epic work in its entirety. David McVicar's staging is on an enormous scale, assembling one of the largest casts ever seen at Covent Garden.

Der Ring des Nibelungen in a production of the Zürich opera house, recorded 2024. "Dramatic music-making at its finest". In the hands of General Music Director Gianandrea Noseda and Stage Director Andreas Homoki, Wagner's myth is represented as "a dysfunctional family of gods" (The Independent) in a polished yet unpretentious production that underscores the humanity of the characters, who are performed by the same exceptional cast of singers across all four operas.