In 1943, Ewa decides to take care of her Jewish neighbour's daughter and brings her home just for a few days. When the ghetto uprising begins, the woman keeps on looking after the little girl.

An engineer comes home from abroad to his waiting wife. After some time, his second wife, an Italian one, joins him. For a small town, such a triangle will turn out to be unacceptable, especially since the spouses live peacefully under one roof.

The social and independence ferment triggered in the fall of 1980 by Solidarity created an opportunity for dialogue between the nation and the ruling communists. Dialogue, not force. As always, students quickly joined the "rebellion and pressure." They wanted autonomy for Polish universities and their own independent representation, as well as sovereignty, without the "leading role of the party." When these dreams were not fulfilled, at the beginning of 1981, students at the University of Łódź went on their first long strike, which ended in success, and when martial law was declared in December 1981, the same students rushed to protest in the form of an occupation strike, which ended in pacification. The film consists of statements by the protagonists and witnesses of those events, archival footage, and staged sequences.

The action is set in the early 20th century. The film is made up of six sequences. In the first, Michal, young man who came from Poland to Germany, enrolls in a course on how to behave in social situations and on etiquette. However when he tries to approach girls using the rules which he's been taught... he only makes a fool of himself. Then, he goes to work for a man who owns a carousel and who loves to chase other women. In the next sequence, Michal meets the divorced landlady, Mrs. Luther, and goes through a whole lot of erotic experiences. When he escapes exhausted from his landlady, he starts working in a mine and visits brothels on a regular basis. He looks on women in a totally cynical manner. However, his persistent wandering must finally result in a true love.

In the 1890s, Father Adolf Daens goes to Aalst, a textile town where child labor is rife, pay and working conditions are horrible, the poor have no vote, and the Catholic church backs the petite bourgeoisie in oppressing workers. He writes a few columns for the Catholic paper, and soon workers are listening and the powerful are in an uproar. He's expelled from the Catholic party, so he starts the Christian Democrats and is elected to Parliament. After Rome disciplines him, he must choose between two callings, as priest and as champion of workers. In subplots, a courageous young woman falls in love with a socialist and survives a shop foreman's rape; children die; prelates play billiards.

Originally, Munk intended Eroica to be a triptych with Con bravura being the first part, but he ultimately gave up on this film, deeming it weaker artistically than the two counterparts. Con bravura is about conspiracy conflating the paths of a rather unconventional nun and an intrigued young man – each of them bears secrets and the encounter could incite a flaming romance, though one suffocated by war.Munk set the film in the mountain capital of Zakopane and its vicinity, allowing breathtaking views from a cable car and using his experiences of the Nazi occupation in the area to add gritty reality. The director plays a cameo as a priest with several of his industry friends also making appearances.

Tells two tales set during WWII: A seemingly feckless and selfish man finally takes up arms in the national struggle against the Nazis. Set in a POW camp, Polish inmates cling to their hopes for an eventual escape, encouraged by the legendary escape of one of their own.

PZU Inspector Anatol Kowalski is sent to the city of Paryżew on a special mission to catch a gang of bathing suit robbers.

In the last days of World War 2, people of various ethnic background meet in a Polish military hospital in a small German town, whereas a Nazi SS division hides in the local forests and tries to move westwards.

Ewa and Stefan Hauser, with their children Monika and Wolf, live an average middle-class life in East Berlin in 1969. Under Stasi blackmail, Stefan is coerced into cooperation, prompting the family’s escape attempt to West Berlin. The plan fails: the couple is imprisoned for four years, the children adopted by separate families. After early release and permission to relocate west, the Hausers spend decades fruitlessly searching for their lost children, only to be reunited twenty years later amid Europe’s political upheavals.