Barbara Bonney | WatchedThis
Barbara Bonney
Acting
Biography
Barbara Bonney is an American soprano. She is associated with lyric soprano roles in operas by Mozart and Richard Strauss as well as lieder performances. Bonney was born in Montclair, New Jersey. As a child she practised piano and cello. When Bonney was 13 her family moved to Maine, where she became part of the Portland Symphony Youth Orchestra as a cellist. She spent two years at the University of New Hampshire (UNH) studying German and music including voice with Patricia Stedry, and spent her junior year at the University of Salzburg, where she switched from cello to voice. While there, she studied at Mozarteum University Salzburg. Years later she received an honorary doctorate from UNH. In 1979, Bonney joined the Staatstheater Darmstadt, where she made her debut as Anna in The Merry Wives of Windsor. In the subsequent five years she made appearances in Germany and throughout Europe, notably at the Royal Opera House at Covent Garden in London and La Scala in Milan. She made her Metropolitan Opera debut in 1987 in Richard Strauss's Ariadne auf Naxos in the role of Naiad and her Vienna State Opera debut the same year as Sophie in Der Rosenkavalier. Since then, she has appeared at the major opera houses of the world and at the Salzburg Festival, where she was Servilia in Mozart's La clemenza di Tito. Along with her repertoire in opera as a lyric soprano, she is a distinguished recitalist, and has appeared on more than 90 recordings, including 15 solo recitals. For two years, starting in 1999, Bonney did not perform in opera, to focus on lieder recitals. However, she noted that solo recitals lacked the camaraderie of performing in an opera production with many other people. In 2002, she contributed "The Willow Song" to the compilation album, When Love Speaks (EMI Classics), which features famous actors and musicians interpreting Shakespeare's sonnets and play excerpts. Other albums include her 2006 work on Welcome to the Voice, composed by Steve Nieve. On August 1, 2006, IMG Artists announced that all forthcoming appearances by Bonney were cancelled and that they would no longer be representing her. At the time, the IMG Artists website only stated the reason as "due to personal circumstances", but Bonney stated in a July 2007 article that those circumstances included her "difficult" divorce from Maurice Whitaker. She had previously been married to Håkan Hagegård for seven years; that marriage had also ended in divorce. Bonney is a member of the Royal Swedish Academy of Music and is visiting professor at the Royal Academy of Music, London. She is also on the faculty of Mozarteum University Salzburg, as University Professor of Singing. She is also on the faculty of the American Institute of Musical Studies in Graz, Austria. Bonney opened a boutique clothing store based in Salzburg, LUNA Dress Design, on her 55th birthday in 2011.[8] The brand is currently called "Bonney & Kleid".
Filmography Movies
Acting
Mozart Requiem and Mass In C Minor
Two of Mozart's best-loved choral works - the 1791 Requiem, and the Mass in C minor, both of which were unfinished when he died. Performed at the Palau de la Mùsica Catalana in Barcelona in December 1991 to commemorate the 200th anniversary of Mozart's death.
Der Rosenkavalier
Live performance, new production season 1984-5. BBC 2 Television relay on 30 March 1985 of performance of February 11.
Brahms: Ein Deutsches Requiem Op. 45
An extraordinary performance by the Berlin Philharmonic under the baton of Claudio Abbado, recorded in the Great Hall of the Musikverein in Vienna in 1997 to commemorate the centenary of the death of Johannes Brahms. With soprano Barbara Bonney and baritone Bryn Terfel with the acclaimed Swedish Radio Choir and Eric Ericson Chamber Choir.
Les Boréades
Director Robert Carsen and his creative team flood the stage with summer blossoms, drifts of autumn leaves, winter snows and thunderous spring storms. The cast of 140 are attired in elegant costumes inspired by late 1940s Dior. This mythical tale of a young queen, Alphise, determined to abdicate rather than contemplate an enforced marriage to a descendant of Boreas, is nothing less than highly-charged.
La Clemenza di Tito
The 1791 La Clemenza di Tito (or 'The Clemency of Titus') marked Wolfgang Amadeus Mozart's final opera seria. With a libretto by Metastasio (edited slightly by Caterino Mazzolà), the work dramatizes the palace intrigues surrounding emperor Titus's attempts to coronate a new bride and the envious Vitellia's attempts to have Titus assassinated (with the help of Titus's friend Sextus) following the deposition of Vitellia's emperor father. Stage director Martin Kušej mounted Tito in August 2003, at the Felsenreitschule in Salzburg; a film of that live performance now appears in this home video release. The cast includes Michael Schade as Titus, Vesselina Kasarova as Sextus and Dorothea Roschmann as Vitellia. The Wiener Staatsopernchor, under the baton of Nikolaus Harnoncourt, provides musical accompaniment; Jens Kilian designed the sets.
Der Rosenkavalier
Felicity Lott, Anne-Sofie Von Otter, and Kurt Moll star in this production of Richard Strauss' opera, staged in Vienna in 1994. A romantic comedy of errors. Princess von Werdenberg must hide her affair with Octavian from her family; when he disguises himself as a chambermaid to avoid scandalizing the Princess, he is pressed into presenting a gift to Baron Ochs von Lerchenau, who has arrived to propose marriage to Sophie von Faninal. However, Ochs soon finds himself infatuated with the chambermaid, much to Octavian's chagrin, which proves to be only the first of a long series of romantic misunderstandings. This production of Der Rosenkavalier is performed by the Vienna State Orchestra and Chorus, under the direction of Carlos Kleiber.
Così fan tutte
Live performance from the Festival d'Aix-en-Provence, 23 July 2005.
Falstaff
It is to composer and librettist Arrigo Boito and his constant pestering of the octogenarian Verdi that there remained within him one last great comedy fighting to get out that we owe this absolute miracle of an opera. Produced in 1893 as Verdi turned 80 there is much in this masterpiece that can be identified as a modernist neoclassical work. The use of short motifs instead of long arioso melodic lines, the spry and reduced orchestral textures and the lack of a single 'stand and deliver' dramatic declamatory aria all serve to make this more of a 20th century work than an example of 19th century late-Romanticism.
Ariadne auf Naxos
Jessye Norman is a regal Ariadne, the mythological Greek heroine in this opera-within-an-opera, opposite the passionate Bacchus of the great James King. Kathleen Battle delivers the coloratura fireworks of Zerbinetta, the leader of a commedia dell’arte troupe that finds itself stranded on Ariadne’s island. Tatiana Troyanos and Franz Ferdinand Nentwig star as the young Composer and the Music Master in the opera’s prologue. James Levine brings out all the color and charm of Strauss’s brilliant chamber-sized score with its equal amounts of pathos and humor. Bodo Igesz’s production features sets by esteemed designer Oliver Messel.
